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- Speaking with Today all the way back in 2006, television historian Tim Brooks said, "Almost all shows have music, but it's generic, it's scene-setting, it's short. Producers feel, rightly or wrongly, that that interruption, if you will, is going to lose viewers."
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Sep 15, 2022 · There's another reason why modern series tend to keep their theme songs short, though — and as one might expect, it also has to do with dollars and cents. TV theme songs take away from...
- Mike Floorwalker
Apr 21, 2021 · Licensing issues have gutted the soundtracks of many beloved series on streaming services, resulting in bewildering music cues and missing theme songs.
Long ago TV shows were only on at a particular time. Scenes from the show and the names of the actors were supposed to entice you to keep watching through the commercials. A catchy song was often paired with this, as it was essentially a commercial to "stay tuned" to the show.
Oct 2, 2023 · Here's why TV theme songs matter, according to the composers for Bridgerton, Frasier, Yellowstone, X-Men: The Animated Series and more.
- Wandavision
- Adventure Time
- Big Mouth
- Weeds
- Mixed-Ish
- Stranger Things
- CSI: Crime Scene Investigation
- Kim Possible
- One Tree Hill
- Community
Robert Lopez and his songwriting (and life) partner, Kristen Anderson-Lopez, joke that composing WandaVision's many theme songs was the assignment they'd been preparing for all their lives. Marvel's time-hopping superhero story took inspiration from iconic sitcoms, reflected in the series' era-appropriate intros, inspired by shows such as I Love L...
For the final version of Adventure Time's snappy title sequence, which introduces Jake the Dog, Finn the Human, and the candy-colored Land of Ooo, show creator Pendleton Ward considered recording a more polished take. Ultimately, however, he decided to stick with an early demo, which he taped himself with a ukulele and a "very, very, very small mic...
"I'm going throughchanges," Charles Bradley wails on "Changes." The lyric could be about puberty, mourning a death, the end of a relationship — or even the song itself: Originally a 1972 Black Sabbath track inspired by drummer Bill Ward's divorce, the song got a second life when producer Tom Brenneck recommended Bradley record it as a one-off singl...
Versions of folk singer-songwriter and political activist Malvina Reynolds' "Little Boxes" (a song she wrote in 1962 and lent to friend Pete Seeger before releasing herself in 1967) were used all four seasons that Weeds' Botwin family lived in the cookie-cutter suburbs: Reynolds' original recording in season 1, then different covers for each episod...
Mariah Carey was eager to record the bouncy theme to the '80s-set Black-ish prequel, centered on three kids with a Black mom and white dad. "She's biracial and grew up in a similar time period," says series co-creator Peter Saji. "I think hearing this show was exploring some of the things she had been through — she was really excited to contribute....
Nothing evokes '80s nostalgia quite like a synthesizer, and, early on, Stranger Thingscreators Matt and Ross Duffer knew they wanted to imbue Hawkins, Ind., with an era-appropriate electronic sound. "We felt that having a synth soundtrack would do exactly what we wanted to achieve with the show: It would feel both modern and nostalgic at the same t...
When then-CBS Entertainment President Nina Tassler suggested the procedural drama open with a rock anthem, creator Anthony E. Zuiker pitched the hardcore sounds of rapper Mr. Criminal. Fortunately, fellow EP Cynthia Chvatal came up with something a bit more hummable. "We put the titles to 'Who Are You' on VHS and showed it to [the Who guitarist] Pe...
Christina Milian didn't think twice when she was asked in 2002 to sing the theme for Disney Channel's new animated series Kim Possible, thanks to her former gig as the host of Movie Surfers. But she had no idea that the song would eventually take on a life of its own — even her own record label didn't take the project seriously at first. "It really...
The combination of One Tree Hill and Gavin DeGraw was just pure magic. When the indie musician's single "I Don't Want to Be" was featured as the theme song for The WB's soon-to-be iconic teen drama in 2003, it was a match made in early-'00s heaven that continued for nine seasons — and led to DeGraw's four appearances on the series. Season 8 lost th...
Creator Dan Harmon credits fellow EP (and future Marvel director) Joe Russo with bringing him the 88's "At Least It Was Here" and actor Donald Glover. "He laid [them both] out in front of me on a silver platter," Harmon admits. "My job was to say yes." Choosing a song by the 88 was also meaningful to Harmon because the character of Britta (Gillian ...
- EW Staff
- 20 sec
Today, theme songs are everything from quick musical arrangements that are globally recognized to songs that harken back to the ‘80s. Here are the best TV theme songs of the 21st...
Mar 30, 2017 · Most modern shows that aren't on a streaming service or premium cable use the latter two. Few use the first at all anymore. On broadcast TV, the full-fledged 30- to 60-second theme song is an ...
