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  1. Pierrot Le Fou (English Subtitled) On impulse, Ferdinand abandons his bourgeois existence with his wife and child to take off with Marianne, an old flame. Being pursued by foreign thugs, they embark on a haphazard crime spree, a crazy adventure involving fast cars, mysterious gangsters and a Mediterranean idyll that turns sour. On impulse ...

  2. Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run. ‎Pierrot le Fou (1965) directed by Jean-Luc Godard • Reviews, film + cast • Letterboxd

  3. Critics reviews. On impulse, Ferdinand abandons his bourgeois existence with his wife and child to take off with Marianne, an old flame. Being pursued by foreign thugs, they embark on a haphazard crime spree, a crazy adventure involving fast cars, mysterious gangsters and a Mediterranean idyll that turns sour.

  4. La bande annonce officielle en haute qualité du film de Jean-Luc Godard avec Jean-Paul Belmondo, Anna Karina et Graziella Galvani.

    • 2 min
    • 42.6K
    • Le Projectionniste
  5. Pierrot le Fou est un film franco - italien réalisé par Jean-Luc Godard et sorti en 1965 . L'idée de départ du film prend sa source dans le roman américain Le Démon de onze heures de Lionel White, paru en 1962, même si le film s'en émancipe ensuite largement. Il s'agit du dixième long métrage de Godard, sorti entre Alphaville et ...

  6. The French New Wave drew much inspiration from American crime stories, and Jean-Luc Godard's 1965 film PIERROT LE FOU has a plot that is essentially simple: Ferdinand (Jean-Paul Belmondo), five years into a marriage that leaves him unsatisfied, meets his children's babysitter and discovers that she's an old flame of his, Marianne (Anna-Karina).

  7. Aug 21, 2015 · The movie, Pierrot le Fou (1965), has been called Godard's most personal film or, as is probably more apt, his most self-referential. He quotes himself, and the movies, throughout and continued his road trip through the conventions of cinema, ignoring the sign posts and blasting through the stop lights.

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