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  1. The film challenges the very notion of parasites and asks the viewer to think about who, really, is the parasite in the relationship between the poor and the rich. We see one family—the Kims—who are hardworking, industrious and intelligent, yet they are labeled parasitic because they are forced to take advantage of others.

  2. Parasite by Bong Joon-ho, the film maker behind The Host and Snowpiercer, is perhaps the most famous korean movie outside of korea as it simultaneously received the praises of the pulic, averaging 5 stars on letterboxd (the highest rate) but also international praise by cinema institutions such as the Palme d'Or or the Oscars.

  3. The Parasites knew it was a problem but it wasn't as cold and systemic as The Maxim. Where they parasites are pushed into a corner. The main losses of The Grey compared to the Maxim were the philosophical themes of: The brutality of humanity, The parasitic nature of humanity, and the concept of pushing against your own nature to survive from ...

  4. The violence made a lot of sense. Sure, Kim might not be a violent person but the movie clearly shows that he know thinks of the old housekeeper's husband the same as him. To him, when the rich guy gets disgusted by the smell, it's a violation.

  5. tweaker20. ADMIN MOD. Insights on Parasite as a Korean. I rewatched Parasite yesterday here in Seoul (the local multiplex chain owned by the company that produced the film was hosting special showings in celebration of the Oscar wins), and I noticed some thematically-relevant details, some of which non-Korean audiences wouldn't be able to catch ...

  6. A place to discuss, share, and learn about parasite cleansing. A high parasite load can happen to anybody, from any country, for a number of reasons. What's more parasites can mimic almost every single health condition you've ever heard of. Reconsider your IBS or autoimmune conditions and look for answers outside the conventional box.

  7. May 21, 2019 · Parasite, starring Lee Sun-kyun (left) and Cho Yeo-jeong, takes a "microscopic" look at two families — one rich, one poor. Courtesy of Cannes. Returning to home turf after a run of international ...

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