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But the movie really belongs to Udo Kier and Arno Juerging -- Keir would be an excellent choice to revisit the Dracula role, even thirty years later. Image Entertainment's DVD of Blood for Dracula presents the film uncut in a good transfer. Criterion released an earlier disc but this edition is widescreen-enhanced and much sharper.
Deathly ill Count Dracula (Udo Kier) and his slimy underling, Anton (Arno Juerging), travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di ...
- (18)
- Horror
- R
Nov 15, 2005 · Image // Unrated // September 20, 2005. List Price: $19.99 [Buy now and save at Amazon] Review by Ian Jane | posted November 15, 2005 | E-mail the Author. The Movie: Paul Morrissey started off in film as an assistant director and cinematographer on a lot of Andy Warhol's early experimental art movies. From there he branched out and started ...
Directed by Paul Morrissey • 1974 • United States. Starring Joe Dallesandro, Udo Kier, Maxime McKendry. Paul Morrissey’s follow-up to FLESH FOR FRANKENSTEIN is another audacious, elegantly lurid reimagining of horror mythology that lives in its own perverse realm somewhere between camp outrageousness and avant-garde genre deconstruction.
Jan 31, 2023 · Euro-horror leading man Udo Kier assays the title role, playing the count as a pale, anemic-looking blood junkie with an overwrought accent. Finding the supply of "weer-gin" blood diminishing rapidly in Romania, Dracula is forced to seek a fix in a predominantly Catholic Italian province, where he is certain a few virgins still exist.
Blood for Dracula. An ailing vampire count travels to Italy with his servant to find a bride. 188 IMDb 6.1 1 h 43 min 1974. NC-17. ... DVD from $34.98. Blu-ray from ...
1h 43m. Directed by Paul Morrissey • 1974 • United States Starring Joe Dallesandro, Udo Kier, Maxime McKendry. Paul Morrissey’s follow-up to FLESH FOR FRANKENSTEIN is another audacious, elegantly lurid reimagining of horror mythology that lives in its own perverse realm somewhere between camp outrageousness and avant-garde genre ...
