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  1. English. In the Year of the Pig is an American documentary film directed by Emile de Antonio about American involvement in the Vietnam War. [3] [a] It was released in 1968 while the U.S. was in the middle of its military engagement, and was politically controversial. [4] One year later, the film was nominated for the Academy Award for Best ...

  2. Emile de Antonio with film posters. De Antonio was not only a supporter and distributor of other directors’ films, he was an active participant in the New York art world, a scene which he documented in his 1972 film, Painters Painting. During the 1950s and 1960s, he worked to connect artist friends with gallerists and collectors, calling ...

  3. Emile de Antonio (1919–1989) was the most important political filmmaker in the United States during the Cold War. Director of such controversial films as Point of Order (1963), In the Year of the Pig (1969), Millhouse: A White Comedy (1971), and Mr. Hoover and I (1989), de Antonio lived a remarkable life in dissent.

  4. May 2, 2018 · By J. Hoberman. May 2, 2018. To watch “In the Year of the Pig,” the 1969 Vietnam War documentary by Emile de Antonio (1919-89) is to be dropped into the middle of a long-germinating and still ...

  5. In the Year of the Pig: Directed by Emile de Antonio. With Harry S. Ashmore, Daniel Berrigan, Joseph Buttinger, William R. Corson. A documentary chronicling the background to, and history of, the Vietnam War.

  6. Painters Painting. Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in the film include Willem de Kooning, Jasper Johns, Andy Warhol, Robert ...

  7. Nov 1, 2000 · Emile de Antonio (1919–1989) was the most important political filmmaker in the United States during the Cold War. Director of such controversial films as Point of Order (1963), In the Year of the Pig (1969), Millhouse: A White Comedy (1971), and Mr. Hoover and I (1989), de Antonio lived a remarkable life in dissent.

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