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  1. en.wikipedia.org › wiki › Frank_NorrisFrank Norris - Wikipedia

    Career. Frank Norris's work often includes depictions of suffering caused by corrupt and greedy turn-of-the-century corporate monopolies. [ 17][ 18] In The Octopus: A California Story, the Pacific and Southwest Railroad is implicated in the suffering and deaths of a number of ranchers in Southern California.

  2. Frank Norris (born March 5, 1870, Chicago, Illinois, U.S.—died October 25, 1902, San Francisco, California) was an American novelist who was the first important naturalist writer in the United States. Norris studied painting in Paris for two years but then decided that literature was his vocation.

  3. Notable work (s) The Epic of Wheat (unfinished) Benjamin Franklin Norris, Jr. (March 5, 1870 – October 25, 1902) was an American novelist during the Progressive Era, writing predominantly in the naturalist genre. His notable works include McTeague (1899), The Octopus: A California Story (1901), and The Pit (1903).

  4. Jan 1, 2006 · The American novelist Frank Norris was a universally well-liked person with an inextinguishable joie de vivre, a fine sense of humor, a gift for maintaining long-term friendships, and a degree...

  5. Frank Norris (1870 - 1902), born in Chicago, was an American journalist, novelist, and a leader in the Naturalist movement. He believed novels should confront morality: " The novel with a purpose brings the tragedies and griefs of others to notice and proves that injustice, crime, and inequality do exist. " -- The Novel with a Purpose, 1902.

  6. Jun 11, 2018 · Frank Norris [1] (Benjamin Franklin [2] Norris), 1870–1902, American novelist, b. Chicago. After studying in Paris, at the Univ. of California (1890–94), and at Harvard, he spent several years as a war correspondent in South Africa [3] (1895–96) and Cuba (1898).

  7. Norris produced a theory of naturalism in his critical essays, seeking to distinguish it from both American realism, which he condemned as too focused on the manners of middle-class society, and historical “cut and thrust” romances, which he saw as merely escapist entertainment.

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