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Judith AndersonJudith Anderson (1898-1992) rose to prominence on stage and in films in America in the 1930s and 1940s, playing classical tragic heroines and dark character roles. She was probably most widely known for her film portrayals of the soap opera matriarch Minx Lockridge on NBC's Santa Barbara (1984-1987) and as a Vulcan High Priestess ...
Australian-born actress Judith Anderson's portrayal of the housekeeper Mrs Danvers in Hitchcock's 1940 film Rebecca has made her the poster girl for scholarly analyses of lesbian sexuality on film; and the plethora of books in the last few years about gays in Hollywood—scholarly and sensational—assume that Anderson was a lesbian.
Apr 13, 2021 · Published in Historical Journal of Film, Radio and Television (Vol. 41, No. 3, 2021)
Dame Judith Anderson was born Frances Margaret Anderson on February 10, 1897 in Adelaide, South Australia. She began her acting career in Australia before moving to New York in 1918. There she established herself as one of the greatest theatrical actresses and was a major star on Broadway throughout the 1930s, 1940s and 1950s.
Rebecca (1940) Approved | 130 min | Drama, Mystery, Romance. A self-conscious woman juggles adjusting to her new role as an aristocrat's wife and avoiding being intimidated by his first wife's spectral presence. Director: Alfred Hitchcock | Stars: Laurence Olivier, Joan Fontaine, George Sanders, Judith Anderson.
Jun 24, 2008 · Dame Judith Anderson. Dame Judith Anderson died at her Montecito home at the age of 94 in 1992. She had first come to Santa Barbara in 1929 to appear in the play Strange Interlude. In 1946, she married her second husband, Luther Greene, a theatrical producer and a rancher in the Carpinteria Valley. Shortly thereafter, they purchased a ranch in ...
Jul 26, 2020 · How does this complex gesture of Judith Anderson’s exemplify a “third possibility,” as I suggested above, and what might we note in order to understand it, beyond Anderson’s exquisite management of poise, careful movement, and precision of placement all seen against the relatively stabilising feature of Price’s stolid position?
