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  1. Jan 11, 2020 · Information: Use of Subs (1.11.2020)-----English 28.4%Spanish (Spain) 12.5%French 10.3%No subtitles/CC...

    • Jan 11, 2020
    • 52.1K
    • De Santis
  2. Feb 1, 2018 · Each of these wonderful Criterion G.W. Pabst re-issues are worth checking out, preferably viewed as a double feature. Now that they are restored to as close to their original vision as can be, they serve as a timely reminder of war 100 years ago and are a devastating window into a world that seems a lot farther way than it really is.

  3. G.W. Pabst, a pivotal figure in German cinema, is best known for his silent films during the Weimar Republic era. His most famous films, such as Pandora’s Box and Diary of a Lost Girl, challenged societal norms. They solidified his reputation as one of the key proponents of Kammerspiel and New Objectivity cinema, noted for their intimate ...

  4. Jul 13, 2010 · "The Best of G.W. Pabst" includes seven films by the Austrian-born director. It features his celebrated and often revived masterpieces Pandora's Box (1929) and Diary of a Lost Girl (1929), as well as The Threepenny Opera (1931), which stars Lotte Lenya and is based on the musical theater of Bertolt Brecht and Kurt Weill.

  5. Georg Wilhelm Pabst, känd som G.W. Pabst, född 25 augusti 1885 i Raudnitz I Zisleithanien i Österrike-Ungern (nu Roudnice i Tjeckien ), död 29 maj 1967 i Wien, var en österrikisk filmregissör som verkade i Österrike, Tyskland, Frankrike och USA. Pabst är mest känd som regissören till stumfilmsklassikerna Den glädjelösa gatan (1925 ...

  6. PABST, GEORG WILHELM (1885–1967) Austrian film director. Georg Wilhelm Pabst began his career in theater in Zurich and Germany in 1905, and from 1910 to 1914 he worked as an actor in New York. Returning to Europe at the outbreak of the First World War, he was interned in Brest, France, for the duration of the conflict.

  7. G.W. Pabst was enmeshed in the happenings of his time, which ultimately engulfed him. He is the chronicler of the churning maelstrom of social dreams and living neuroses, and it is this perception of his time which raises him above many of his contemporary filmmakers.

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