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  1. Other articles where Cries & Whispers is discussed: Roger Corman: …foreign films, including Ingmar Bergman’s Cries and Whispers (1972), Federico Fellini’s Amarcord (1973), and Volker Schlöndorff’s The Tin Drum (1979). Corman sold New World Pictures in 1983 and founded Concorde-New Horizons, a company devoted strictly to movie production.

  2. Cries and Whispers is a 1972 film directed by Ingmar Bergman. This Bergman movie is set in a vague time frame that seems like the latter 19th century. Sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to their old family home, to stand vigil at the deathbed of a third sister, Agnes (Harriet Andersson). Maria and Karin both ...

  3. Apr 24, 2015 · Released in 1972, the film is the epitome of everything Bergman. Cries and Whispers has tortured characters dealing with their mortality. It’s set in a lavish estate where material ...

  4. An intensely felt film that is one of Bergman's most striking formal experiments, Cries and Whispers is a powerful depiction of human behavior in the face of death ...

  5. Cries and Whispers. Directed by Ingmar Bergman • 1972 • Sweden. Starring Harriet Andersson, Kari Sylwan, Ingrid Thulin. This existential wail of a drama concerns two sisters, Karin (Ingrid Thulin) and Maria (Liv Ullmann), keeping vigil for a third, Agnes (Harriet Andersson), who is dying of cancer and can find solace only in the arms of a ...

  6. It is an unforgettable scene. Andersson, Thulin, Ullmann, and Sylwan perform with consummate ensemble brilliance. Nykvist's camerawork has never been better. Cries and Whispers was the most emotionally affecting film of 1972 and ought to be experienced by everyone who cherishes the tissue of hope that links life and love. More films about Sisters.

  7. Mar 21, 2003 · In a sense, Cries and Whispers is a film about pain, either emotional or physical. Agnes’ bodily pain is at the core of the narrative, and the scene showcasing her overwhelming suffering just before death is one of the most dramatic and terrifying depictions of pain in cinema history. Maria and Karin, on the other hand, undergo a frustrating ...

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