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  1. Beethoven's Symphonies. Plenty of composers wrote more symphonies than Beethoven, but few did more to change the way the symphony sounded. Beethoven’s First Symphony reflects the fact that he learned from Mozart and Haydn. At the time he composed his Third, it was the longest symphony ever written, and Beethoven’s Ninth was the first ...

  2. Ludwig van Beethoven's Symphony No. 10 in E♭ major is a hypothetical work, assembled in 1988 by Barry Cooper from Beethoven's fragmentary sketches for the first movement. . All the sketches assembled were clearly intended for the same symphony, which would have followed the Ninth, since they appear together in several small groups, and there is consensus that Beethoven did intend to compose ...

  3. One of the most beloved musical geniuses of all-time, Beethoven remains one of the most popular people (albeit deceased) in the world. Beethoven began losing his hearing in his late 20s, and by the age of 49, he was almost completely deaf, yet he continued to compose groundbreaking music. He was baptized on December 17, 1770, in Bonn, Germany ...

  4. Symphony - Beethoven, Orchestral, Movement: With Ludwig van Beethoven the symphony became no longer entertainment music but an expression of monumental intellect and innermost feeling, as in Haydn’s and Mozart’s late works. The Symphony No. 1 in C Major (completed 1800) is Haydnesque, particularly in the opening theme of the finale (comparable to the finale of Haydn’s Symphony No. 88 ...

  5. Symphony No. 7 in A Major, Op. 92, symphony by Ludwig van Beethoven. Premiering in Vienna on December 8, 1813, the work is considered a notable example of the more ebullient side of Beethoven’s compositional personality and evidence that even after the onset of deafness, he yet found cause for

  6. May 4, 2020 · On May 7, 1824, Ludwig van Beethoven’s ninth and final symphony debuts at Vienna’s Theater am Kärntnertor. Having lost his hearing years earlier, the celebrated composer nonetheless ...

  7. Symphony No 3. In 1801, Beethoven wrote in his diary “I am not satisfied with my works up to the present time. From today I mean to take a new road.”. This decision was realized in his Third Symphony. Intimations of a new orientation were hinted at in his preceding symphonies but now the revolution became overt.

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