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  1. Mar 13, 2011 · Released in 1919, Ernst Lubitsch’s Die Austernprinzessin (The Oyster Princess), a “grotesque comedy in four acts,” treats the eponymous shellfish heiress’s (Ossi Oswalda as Ossi) search for a quick marriage with a member of the titled aristocracy – in this instance Harry Liedtke as Prince Nucki. At the commencement of the second act ...

  2. Ernst Lubitsch. (Berlín, 1892 - Hollywood, 1947) Director de cine estadounidense de origen alemán. Ernst Lubitsch se formó en la compañía de Max Reinhardt, con quien trabajó hasta 1918, y, después de tantear la interpretación fílmica, pasó a la realización en 1919. Era ya famoso por algún drama histórico ( Madame du Barry, 1919) y ...

  3. Lubitsch was born January 28, 1892, in Berlin, Germany. He first emerged as a stage performer, joining Max Reinhardt's celebrated Deutsches Theater. He made his film debut in 1912, directing Passion. Lubitsch continued to work onscreen as an actor as well, appearing in films including 1913's Die ideale Gattin and the next year's Firma Heiratet ...

  4. May 2, 2022 · After a successful crossover to the much more sophisticated German film industry -- and a happy pairing with its finest director, Ernst Lubitsch -- she starred in the international smash-hit, "Madame Dubarry" (1919). It was Lubitsch's ticket to Hollywood -- as well as Pola's.

  5. Ernst Lubitsch. A delicate hand, effervescent humor, and an economy with words and images define this German director, who became a legendary figure in Hollywood comedy. 8 Results.

  6. Ernst Lubitsch ( Berlin, Német Császárság, 1892. január 29. – Los Angeles, Kalifornia, USA, 1947. november 30.) német színész és filmrendező, aki pályáját Németországban kezdte, majd az 1920-as évektől kivándorolt az Egyesült Államokba. Hollywoodban folytatta munkáját, először némafilmes rendezőként, majd (1928-tól ...

  7. Jul 10, 2019 · Rosita. (Ernst Lubitsch, 1923) A 1923 American release about a scrappy street singer who catches the eye of a lascivious king in a fictional Old Seville, Rosita was a turning point in the careers of two of silent-era cinema’s most consequential artists, Mary Pickford and Ernst Lubitsch. Pickford had tamed the histrionics of early silent-film ...

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