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  1. Dec 15, 2014 · Drawing by Andrea Veronika Benkő, 2001. When Miklós Rózsa borrowed the title of one of his Oscar-winning film scores for his autobiography Double Life, he was referring above all to the two-sided creative existence that spanned the majority of his eighty-eight years – as a remarkably successful creator of music for the movies and as a ...

  2. Composer Miklós Rózsa. Miklós Rózsa is the composer most closely identified with noir. He was a Hungarian-born composer trained in Germany, and active in France, war-time Britain, and later in the United States, with extensive sojourns in Italy, during a career spanning more than 60 years (1931-1995). His music was at times Wagnerian ...

  3. Jul 27, 1995 · Added: Aug 10, 2002. Find a Grave Memorial ID: 6678159. Source citation. Composer. He was noted for his darkly atmospheric music for Hollywood noir films and psychological dramas, and later for his majestic scores for historical epics. Rozsa won Academy Awards for Spellbound (1945), A Double Life (1947), and Ben-Hur (1959), out of 16 nominations.

  4. Hungarian-born Miklós Rózsa (1907-1995) is a titan of film music. Responsible for such classic scores as Spellbound , Ben-Hur , King of Kings , El Cid and many others—from biblical epics to 1940s films noir to historical dramas—his signature style is one of the most pleasing and dramatic in film.

  5. Mar 3, 2014 · Original Motion Picture Soundtrack (1952). Composed and Conducted by Miklós Rózsa, performed by the MGM Studio Orchestra.Please note that the rights belong t...

    • 16 min
    • 162.8K
    • Soundtrack Fred
  6. Feb 15, 2016 · 2 CD Set | Price: £ 11.95 | TADLOW 021. A Specially-Priced 2 CD Collectors Edition of the Concert Celebrating the Music of One of the Greatest Composers of the “Golden Age of Hollywood“. • 2 CD SET * For the Price of 1 CD. “The City of Prague Philharmonic clearly loved playing the music and the quality of their performance and ...

  7. May 31, 2007 · Recognizing the tragic potential inherent in these tawdry tales, he set about to write grand tragic themes, so that the love music for Burt Lancaster and Yvonne De Carlo (and, by extension, Dan Duryea) in Criss-Cross becomes a mini-Liebestod, perfectly delineating their doomed passion. In the closing moments of Brute Force he weds his music so ...

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