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  1. Aug 26, 2020 · Donatello (c. 1386-1466 CE), full name Donato di Niccolo di Betto Bardi, was an Italian Renaissance artist best known for his sculptures such as the striking bronze figure of David now in the Bargello museum of his native Florence. Donatello was influential in popularising the classicizing style where Renaissance artists looked to the surviving ...

  2. Feb 19, 2024 · The Penitent Magdalene is a significant sculpture that reflects the artistic and religious milieu of 15th-century Florence and embodies the merging of Renaissance innovation and the devotional practices of its era. Donatello, a detail of Five Masters of the Florentine Renaissance (16th Century) by an Unknown Artist; Shonagon, CC0, via Wikimedia ...

  3. en.wikipedia.org › wiki › StiacciatoStiacciato - Wikipedia

    Donatello's Saint George Freeing the Princess of 1417, the first known stiacciato relief. Stiacciato (Tuscan) or schiacciato (Italian for "pressed" or "flattened out") is a technique where a sculptor creates a very shallow relief sculpture with carving only millimetres deep. [1] The rilievo stiacciato is primarily associated with Donatello ...

  4. Oct 25, 2023 · The Techniques Employed: Donatello employed several artistic techniques to create the illusion of height and proportion in his “David”: Contrapposto: Donatello’s David is a prime example of the contrapposto pose, a technique borrowed from classical sculpture. This posture, characterized by a subtle shift of weight from one leg to the ...

  5. The statue is also seen holding a sword and standing atop a suit of armor. 2. Equestrian Statue of Gattamelata. One of the most highly-revered statues done by Donatello is known as the Equestrian Statue of Gattamelata. This iconic work depicts a military leader mounted on horseback and has become one of the more celebrated political sculptures ...

  6. Apr 30, 2020 · Donatello's classical approach to sculpture greatly influenced the direction of Renaissance art during quattrocento—a term that describes the artistic and cultural events of the 1400s. He, along with contemporaries like Brunelleschi and Ghiberti, turned away from the fading Gothic style in favor of a more realistic, humanist approach to art.

  7. The Magic of Donatello Andrew Butterfield Sculpture in the Age of Donatello: Renaissance Masterpieces from Florence Cathedral an exhibition at the Museum of Biblical Art, New York City, February 20–June 14, 2015. Catalog of the exhibition edited by Timothy Verdon and Daniel M. Zolli. Museum of Biblical Art/Giles, 200 pp., $49.95

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