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Goodwin is the son of Bill Goodwin, announcer and actor on the Burns and Allen radio program and The George Burns and Gracie Allen Show on television. Discography As leader. Solar Energy (1981) Plays Cole Porter (1988) No Method (Fresh Sound, 1989) Three's a Crowd (TCB, 1994) Raise Four (Vectordisc 2014) Live at the Lafayette Bar (Vectordisc 2017)
West Coast jazz drummer Bill Goodwin is known for his subtle, assured style as both a sideman and leader of his own groups. An in-demand player since his emergence in the early 1960s, Goodwin has played with a bevy of luminaries, including Gary Burton, Hal Galper, and Keith Jarrett. He was also a longtime member of Phil Woods' group, with whom ...
Bill Goodwin worked in a variety of genres and built up a diverse and reputable career. Goodwin's earliest roles were in film, including "Blondie in Society" (1941), the Brian Donlevy action picture "Wake Island" (1942) and the Claudette Colbert drama "So Proudly We Hail" (1943).
Jan 24, 2022 · From 1959 to the present, Goodwin has been a professional drummer, playing with the likes of Bill Evans, Dexter Gordon, Art Pepper, Jim Hall, George Shearing and Bobby Hutcherson, and singers such as June Christy, Joe Williams, Tony Bennett and Manhattan Transfer. The drum chair with Gary Burton brought him to the East Coast in 1969.
Bill’s commitment to Kiawah is unwavering. His negotiations with the town during the recent development agreement still rankle. “I’m not a negotiator,” he says. “I don’t start high and work down. I make a fair offer and I don’t vary much. I based what I thought was fair on the 2005 agreement with the developer.
Added: Oct 29, 2003. Find a Grave Memorial ID: 8041702. Source citation. Television Announcer, Actor. He was the announcer for the Burns & Allen Show radio show for nine years. He also announced for The Bob Hope Show, and appeared in 33 films including: Blondie in Society, Spellbound, To Each His Own, The Jolson Story, Tea for Two and The ...
Bill Goodwin (1910 – 1958) The announcer probably had the best job in Old Time Radio. The Star of the show would have been under pressure to bring in the audience and keep them laughing (or on the edge of their seats, depending on what sort of program it was), the guest star had to adapt to how the regular company was used to working, and the regular company of hard-working Radio Row players ...
