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Bernard Herrmann (1911-1975) From his first film, "Citizen Kane", to his last, "Taxi Driver", Herrmann was a master at evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His movie scores are amongst the most distinguished ever written, ranging ...
George Kaplan. Originally written for the blog The Classic Film Scores of Bernard Herrmann, June 13 to 28, 2011. The author is known on Talking Herrmann as "aka Roger Thornhill". When Bernard Herrmann died in the early hours of Christmas Eve 1975, he left behind a body of work that would go on to transcend the medium for which it was originally ...
Feb 10, 2007 · Bernard Herrmann's Score to 'Psycho'. October 30, 2000 • Herrmann and Hitchcock collaborated on many other films, but Psycho is seen as the epitome of their collaboration and the definitive ...
Bernard Herrmann was part of the so-called ‘Golden Age’ of film composers — though it was a term he loathed. He saw himself first and foremost as a composer who sometimes wrote music for films, a period which originated in the 30s and 40s and whose adherents included the likes of Alfred Newman, Franz Waxman, Erich Wolfgang Korngold, Max Steiner and Miklós Rósza.
バーナード・ハーマン. バーナード・ハーマン （Bernard Herrmann, 1911年 6月29日 - 1975年 12月24日 ）は、主に 映画音楽 で活躍した アメリカ の 作曲家 である。. アルフレッド・ヒッチコック 監督作品（『 めまい 』、『 北北西に進路を取れ 』など）や『 市民 ...
Bernard Herrmann. Music Department: North by Northwest. The man behind the low woodwinds that open Citizen Kane (1941), the shrieking violins of Psycho (1960), and the plaintive saxophone of Taxi Driver (1976) was one of the most original and distinctive composers ever to work in film. He started early, winning a composition prize at the age of 13 and founding his own orchestra at the age of ...
