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  1. Jan 20, 2018 · English. Stanley Kubrick's first feature directorial debut that's set in a ficticious war in an unidentified country. The 1953 American anti-war film was directed, produced and edited by Stanley Kubrick and was written by Howard Sackler. It had a production team of fifteen people. Kubrick attempted to destroy all copies, but was unsuccessful.

    • Jan 20, 2018
    • 8K
    • 14jammar
  2. Sep 7, 2023 · In theaters September 22.Kubrick’s audacious and too-little-seen feature debut, made when he was a 24-year-old industry outsider, is the harrowing story of a...

    • 1 min
    • 12.3K
    • Kino Lorber
  3. Fear and Desire. 1953 · 1 hr 1 min. TV-14. Drama. When four soldiers get trapped behind enemy lines, their true desires and nature become clear, and a peasant girl ...

  4. These edits made FEAR AND DESIRE less of a metaphysical experience and more of a conventional war picture. This new 4K restoration restores the film– an inventive and existential war drama–to its original “premiere version.”. Preceded by Kubrick’s 1953 short THE SEAFARERS (29 min.) Film Center exclusive. The Film Center is ADA accessible.

  5. Overview. After their airplane crashes behind enemy lines, four soldiers must survive and try to find a way back to their battalion. However, when they come across a local peasant girl the horrors of war quickly become apparent. Stanley Kubrick. Director. Howard Sackler. Writer.

  6. Fear and Desire is the feature debut of cinematic super genius Stanley Kubrick, and the real mark of his intelligence is that he tried to have every copy of it destroyed. There are some evocative visual compositions (foreshadowing his penchant for creative cinematography) and the screenplay tries to be an allegory for the psychological trauma ...

  7. Fear and Desire did not receive a certificate number from the Production Code Administration. The film was Kubrick's first feature. The film was Kubrick's first feature. Although modern sources disagree on the film's exact budget, Kubrick stated in a 1994 Village Voice article that he raised $10,000 to shoot the film, and spent another $30,000 ...

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