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Hugo van der Goes was probably born in Ghent, where he was active from 1467. He was the most important Ghent painter of the period after Jan van Eyck. His 'Portinari Altarpiece' arrived in Florence in 1483 where it made a considerable impression and influenced a number of artists, including Ghirlandaio.
Hugo van der Goes, Portinari Altarpiece, closed, c. 1476, oil on wood, 274 x 652 cm when open (Uffizi) Triptych altarpieces like the Portinari Altarpiece would have been kept closed, except on holidays and special feast days. Therefore, the exterior of the folding side wings of such artworks were typically painted.
1440 - 1482. Hugo van der Goes was one of the most significant and original Flemish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduced important innovations in painting through his monumental style, use of a specific colour range and individualistic manner of portraiture.
Hugo van der Goes. In the late 15th century Hugo van der Goes was one of the leading Early Netherlandish painters, ranking alongside renowned artists such as Jan van Eyck, Rogier van der Weyden, Hans Memling and Gerard David. Yet, van der Goes set himself apart from his peers with eccentric and deeply religious works that often had a disturbing ...
Hugo van der Goes belongs among the most important and innovative Flemish painters of the late 15th Century. The scant number of panels that has survived is acknowledged by a new monumentalism, a specific colour spectrum and an unparalleled individualistic manner of portraying figures and facial expressions.
フーゴー・ファン・デル・グース（フラマン語：Hugo van der Goes、日本語 表記揺れ：ヒューホー・ファン・デル・フース、ほか。1440年頃 - 1482年）は、ヴァロワ＝ブルゴーニュ家時代のフランドル伯 領の都市ヘント（現在のベルギーのヘント）生まれの画家。
Hugo van der Goes. Brussels, 1945, pl. 37 and facing page, ill., dates it to Hugo's last years at the Roode Klooster, given the ascetic character and the treatment of volumes in the portrait. Harry B. Wehle and Margaretta Salinger. The Metropolitan Museum of Art: A Catalogue of Early Flemish, Dutch and German Paintings. New York, 1947, pp. 58 ...
