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The Orlan-10 (Russian: Орлан-10) is a reconnaissance, unmanned aerial vehicle (UAV) developed by the Special Technology Center (STC) in Saint Petersburg for the Russian Armed Forces. [7] [8] The Orlan-10 features a composite fuselage that reduces its radar signature.
The Body as a Canvas: Exploring the Intersection of Art and Science in Orlan’s Work. In today’s world, artificial intelligence (AI) services are revolutionizing various aspects of our lives. From streamlining research processes to offering insightful writing suggestions, AI tools can be invaluable assets for writers and researchers alike.
ORLAN also played a pioneering role in the artistic use of telematics, via the Minitel (a network developed prior to the Internet in France). In the 1990s, assisted by medical doctors, she began a series of “surgical-operation-performances”. She transforms the operating room into an atelier, where her body is surgically operated and ...
Jan 22, 2019 · ORLAN, beyond any conception of the body. Interview by Lula Criado & Meritxell Rosell. No artists have explored matters concerning beauty and aesthetics of the body so profoundly as ORLAN has. The French performance artist does not need a lot of introduction. One of the most prominent multimedia artists since the 1960s, in the late 1980s, ORLAN ...
ORLAN Arte Carnal o cuerpo obsoleto / hibridaciones y refigurationes, texts by Nicolas Bourriaud, Michaël La Chance et Ricardo Arcos-Palma, MUSEUM DE ANTIOQUIA, Medellin, MUSEUM OF MODERN ART COLUMBIA, Bogota 2009 ORLAN, Unions mixtes, mariages libres et noces barbares, textes de Raphaël Enthoven, Raoul Vaneigem, Dilecta 2009
ORLAN makes her own body the medium, the raw material, and the visual support of her work. It takes place as the “public debate”. She is a major figure of the body art and of “carnal art” as she used to define it in her 1989 manifesto. Her commitment and her liberty are an integral part of her work.
ORLAN makes her own body the medium, the raw material, and the visual support of her work. It takes place as the “public debate”. She is a major figure of the body art and of “carnal art” as she used to define it in her 1989 manifesto. Her commitment and her liberty are an integral part of her work.
