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Directed by Ian Coughlan. 1981 English 99min TV-14. During a Ouija board session with her teenaged friends, 16-year-old Alison gets a warning from beyond the grave not to go home for her 19th birthday. Fast forward three years later, when Alison is summoned to birthday celebrations with her aunt and uncle in Sydney, and visits them with her ...
Joanne Samuel (Alison Findlay)Lou Brown (Peter Healey)Bunney Brooke (Aunt Jennifer Findlay)John Bluthal (Uncle Dean Findlay)Vincent Ball (Dr. Jeremy Lyall)Margie McCrae (Chrissie Willis)Julie ...
It appears that Alison's Birthday at age 19 will be a deadly one. After playing the ouija game that warns 16 year old Alison of the upcoming danger, the film take us three years forward to Alison's 19th birthday. Alison is a well put together young adult with a job and charming boyfriend named Peter.
Jan 20, 2022 · If you like what I do and want to support the channel, consider buying me a drink: https://www.buymeacoffee.com/hellboundHS When people talk about Australian...
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Oct 15, 2021 · Review. Playing as part of Nightstream’s retro section this year specialising in folk horror, Alison’s Birthday a rare Australian folk horror film that is seeing the light of day again through Severin Films, is an interesting yet wildly uneven film. The ideas and plot points pre date an entire slew of similar modern films and it’s further ...
Nov 1, 2023 · The movie Alison’s Birthday (1981) is an Australian horror film directed by Ian Coughlan. The story follows Alison, a teenage girl who finds herself the subject of a sinister ritual planned to take place on her 19th birthday. As the day approaches, Alison begins experiencing strange occurrences and nightmares, leading her to question her own ...
Apr 24, 2014 · For the most part, Alison’s Birthday is fairly derivative, and it suffers from a predictable plot. Coughlan doesn’t attempt to hide the secret of Alison’s aunt and uncle from the audience, leading to about 45 minutes of running time where Pete and Alison scramble to figure out what’s going on while the audience sits looking at their ...
