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  1. Dec 9, 2022 · Passing of the Soul at Death (1917), oil on canvas, by Evelyn De Morgan ©De Morgan Foundation. De Morgan’s most overtly Spiritualist picture came towards the end of her life, upon the death of her husband William in 1917. The Passing of the Soul at Death (1917) shows the soul of a dying woman as a rainbow mist being welcomed by a Spirit ...

  2. In this painting executed towards the end of Evelyn’s life, the sea is used to illustrate her spiritualist belief that at the moment of death the soul s essence, or spirit, passes out of the body and into the light of the next world. The dying figure is sitting on rocks in a dark shadowy land. The flaming torch of life has fallen from her ...

  3. Mar 27, 2019 · Written by: Vincent René-Lortie. Produced by: Samuel Caron. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. Watch now. ‘The Angel of Death’ was created in 1890 by Evelyn De Morgan in Romanticism style. Find more prominent pieces of ...

  4. The Angel of Death, 1885 Evelyn De Morgan; Explore Further. Most Similar Drawings (visual works) United Kingdom 1855–1919 ...

  5. The theme of death was an increasingly common theme in Evelyn’s oeuvre as time went by. 'The Angel of Death I' is the most overt representation of the subject and demonstrates Evelyn’s spiritualist belief that death is to be welcomed and not feared. Evelyn depicts the Angel of Death, who is symbolised by his grey hair and scythe, as a ...

  6. Evelyn depicts the Angel of Death, who is symbolised by his grey hair and scythe, as a beautiful and benign figure, gently comforting the frail female figure he has in his sight. The young woman appears to have had a hard life - signified by the arid landscape behind her. In contrast the way forward is illustrated with a fertile landscape and ...

  7. Evelyn De Morgan, (30 August 1855 – 2 May 1919) was an English painter whose works were influenced by the style of the Pre-Raphaelite movement. She was a follower of Pre-Raphaelist Edward Burne-Jones. Her paintings exhibit spirituality; use of mythological, biblical, and literary themes; light and darkness as metaphors; life and death; and ...

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