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Romance (Salomon, Johann Peter) S. The Shipwreck'd Mariner (Salomon, Johann Peter) T. This is the Ring My Henry Gave (Salomon, Johann Peter) V. Violin Concerto in D major (Salomon, Johann Peter) W. Windsor Castle (Salomon, Johann Peter)
Classical. Instrumentation. violin, strings. Extra Information. Romance for Violin and Strings, whose date of composition is not known precisely, may have been written for performance at the London house of one of Salomon's many aristocratic patrons rather than for a large-scale public concert. It is in a simple ternary form.
Johann Peter Salomon (1745-1815). - Anonyme Reproduktion einer wohl von William Daniell stammenden Lithographie nach einer Zeichnung von George Dance aus dem Jahr 1794. Bezeichnet und betitelt: Mitte unter Bildausschnitt: "John Peter Salomon // Geo[...] Dance de[...]t. June 19. 1794. // Published by Willm. Daniell Nr. 9 Cleveland Street Fitzroy ...
Johann Peter Salomon (døypt 20. februar 1745 i Bonn; 25. november 1815 i London) var ein tysk fiolinist, komponist og konsertorganisator. Liv og virke [ endre | endre wikiteksten ] Salomon spelte i ulike tyske hofforkester før han i 1781 flytta til London.
Photo, Print, Drawing Johann Peter Salomon (1745-1815); halbfigurig, en face, den Blick nach links gewandt; auf einem Lehnstuhl sitzend, die rechte Hand auf ein Notenmanuskript gelegt, mit zur Seite gelegter Schreibfeder (d.h. beim Komponieren); im Hintergrund Vorhangdrapierung. - Gemälde von James Lonsdale
In 1795, when Haydn was leaving England, the impresario Johann Peter Salomon (1745–1815) who had arranged his concerts there handed him a new poem entitled The Creation of the World. This original had been offered to Handel, but the old master had not worked on it, as its wordiness meant that it would have been four hours in length when set ...
of quartets: Luigi Tomasini for Opp. 9and 17, Johann Tost for Opp. 54/55and 64, Johann Peter Salomon for Op. 71/74.8In these works, and especially in later sets where theories of artistic progress no longer apply, Haydn’ s use of the quartet as a vehicle for solo display has
