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  1. William Axt. Composer: The Thin Man. Composer and conductor, educated at DeWitt Clinton High School, and in private music study in Berlin. He was the assistant conductor at the Hammerstein Grand Opera Company in New York, and conducted for Emma Trentini between 1914-1918. He was musical director at the Capitol Theatre in New York, and later headed the music department at MGM. He joined ASCAP ...

  2. William Axt was an American composer and conductor. He was born in New York City, New York on April 19, 1888. He earned his Doctor of Music from the University of Chicago in 1922 and served as a conductor for the Hammerstein Grand Opera Company and Capitol Theatre. In 1929 he joined the music department of Metro-Goldwyn-Mayer (MGM), composing ...

  3. William Axt (April 19, 1888 – February 13, 1959) was an American composer of nearly two hundred film scores. Show Less... Continue reading at Wikipedia... Birth and Death Data: Born April 19, 1888 ( New York City ), Died February 13, 1959 ( Ukiah) Date Range of DAHR Recordings: 1919 - 1930. Roles Represented in DAHR: composer, songwriter.

  4. 19. Shakespeare performed before both Queen Elizabeth I and King James I. During his life William Shakespeare and his theatre company performed before both Queen Elizabeth I and, later, James I, who was an enthusiastic patron of his work. 20. Shakespeare was a favourite of King James I.

  5. William Axt. William Axt (April 19, 1888 – February 13, 1959) was an American composer of nearly two hundred film scores. William Axt (* 19. April 1888 in New York City, New York; † 13. Februar 1959 in Ukiah, Kalifornien) war ein US-amerikanischer Komponist. (de) Уильям Экст (англ. William Axt; 19 апреля 1888 — 13 ...

  6. www.mmmrecordings.com › Composers › AxtAxt - mmmrecordings.com

    Dr. William Axt was born April 19, 1888 in New York, NY. He was educated at DeWitt Clinton High School, studied at the National Conservatory in New York, and had private music study in Berlin.

  7. David Mendoza and William Axt’s score for Ben Hur involved still different challenges for reconstruction. The original music had to be reorchestrated and the arrangements of preexisting music they utilized had to be found, photocopied, cut, and pasted. I had to construct a detailed map of each section of the score, noting how many measures to ...

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