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  1. Professor of History of Art. Pamela Lee’s research focuses on modern and contemporary art. She is the author of Chronophobia, Forgetting the Art World, and New Games: Postmodernism after Contemporary Art, and she is currently completing Think Tank Aesthetics: Mid-Century Modernism, the Cold War and the Rise of Visual Culture, which analyzes the mutual imbrication of Cold War research ...

  2. Oct 28, 2018 · A recipient of a postdoctoral fellowship from the Getty Institute, Lee’s publications include Object to Be Destroyed: The Work of Gordon Matta-Clark (2000), Chronophobia: On Time in the Art of the 1960s (2004), and Art History Since the Sixties: Theories of Modernism and Postmodernism in the Visual Arts (2011). She is currently Carnegie ...

  3. Carnegie Professor of Modern and Contemporary Art. Modern and Contemporary Art. pamela.lee@yale.edu

  4. www.artforum.com › features › pamela-m-lee-2-219454Pamela M. Lee - Artforum

    Pamela M. Lee is associate professor of art history at Stanford University. She is the author, most recently, of Chronophobia: On Time in the Art of the 1960s, which was published in spring 2004 by MIT Press.

  5. mitpress.mit.edu › author › pamela-m-lee-3241Pamela M. Lee - MIT Press

    Pamela M. Lee Pamela M. Lee is Carnegie Professor of Modern and Contemporary Art at Yale University and the author of Object to Be Destroyed: The Work of Gordon Matta-Clark, Chronophobia: On Time in the Art of the 1960s, Forgetting the Art World (all published by the MIT Press) and The Glen Park Library: A Fairy Tale (no place press).

  6. Pamela Lee, recently named as the Carnegie Professor of Modern and Contemporary Art, is an art historian who teaches the history, theory, and criticism of late modernism and contemporary art with research interests in the relationship between aesthetics, politics, time, and system. Please read the Yale News article here.

  7. Nov 15, 2013 · Pamela M. Lee is Professor of Art History in the Department of Art History at Stanford University, where she teaches the history, theory and criticism of modern and contemporary art. She is the author of Object to be Destroyed: the Work of Gordon Matta-Clark (1999); Chronophobia: On Time in the Art of the 1960s (2004); and, most recently ...

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