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  1. Nov 21, 2023 · Classical music: beginning with the death of J.S. Bach in 1750, classical music searched for clarity, broke the restrictions of the Baroque period, and lifted opera to new heights

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  2. Dec 10, 2021 · Very often, “classical music” refers to the musical tradition of the West, excluding the independent growth of music in Asia, Africa, and elsewhere. However, a more broadly inclusive definition sees classical music as any formal music tradition from anywhere in the world. For the sake of brevity and to allow for a more intricate study, in ...

  3. Definitions, styles and forms. Classical music is a term with three distinct meanings: The European tradition of music which is associated with high culture, as distinct from popular or folk forms (including works in this tradition in non-European countries). That tradition as well as similar non-European traditions.

  4. Jun 2, 2023 · Classical music, at its core, is a genre deeply rooted in Western musical tradition, encompassing a wide range of styles and compositions that express complex emotions and feature rich orchestration. This genre is characterized by several elements, including intricate harmonies, structured forms, and an emphasis on melody and instrumental ...

  5. Jul 25, 2022 · The Oxford Dictionary defines ‘classical music’ as “music written in a Western musical tradition, usually using an established form (for example a symphony ). Classical music is generally considered to be serious and to have a lasting value.”. Oxford’s definition is just one example of how widespread the generalised use of ...

  6. The 1900s were a time of great experimentation in classical music. Composers used new forms and even new instruments. For example, electronic instruments opened up new ways of expression for composers and musicians. Claude Debussy, Igor Stravinsky, and John Cage were important composers of the 1900s. The term classical music has several meanings.

  7. The Classical era in music is compositionally defined by the balanced eclecticism of the late 18th- and early 19th-century Viennese “school” of Haydn, Mozart, Beethoven, and Schubert, who completely absorbed and individually fused or transformed the vast array of 18th-century textures and formal types. Expansion of the tripartite Italian ...

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