Search results
Zoë Buckman (born 13 September 1985) is an English artist, photographer and writer.
Feb 3, 2023 · When David Schwimmer started dating Zoë Buckman, he was only temporarily spending time in England while he worked on his feature film directorial debut Run Fatboy Run. However, it was...
73K Followers, 1,868 Following, 822 Posts - Zoë Buckman (@zoebuckman) on Instagram: "Artist. Hackney in Brooklyn. Intersectional Feminist.
Zoe Buckman (born 21 December 1988) is an Australian runner who has competed nationally and internationally in the 400 metre, 800 metre, 1,500 metre and 5,000 metre events. She ran for the University of Oregon.
Sep 28, 2023 · Zoë Buckman discusses her new body of work that uses embroidered portraits to take a softer approach to trauma and violence.
Zoë Buckman was born in Hackney, East London on September 13, 1985. She is a multi-disciplinary artist working in sculpture, photography, embroidery and installation. Her work explores themes of feminism, mortality and equality. In 2015, Buckman is an Artist in Residence at Mana Contemporary.
Sep 20, 2019 · Zoë Buckman's latest show, on view at Fort Gansevoort, is about domesticity, women's work, and the death of the artist's mother.
Zoë Buckman’s multidisciplinary practice incorporates sculpture, textiles, ceramics, photography, and large-scale public installations. Adopting an explicitly feminist approach, her work explores identity, trauma, and gendered violence, subverting preconceived notions of vulnerability and strength.
Sep 28, 2023 · Her new series, though, titled Tended and on view at Lyes & King, takes a softer approach, which Buckman discusses in this conversation about her early indoctrination in feminism and what it’s like to raise a child around such difficult, and undoubtedly necessary, work. Read the interview.
Sep 20, 2022 · Zoë Buckman is known for her needling work—and that’s not just because her art predominantly involves embroidery. Her subject matter, which explores experiences of gendered violence and trauma, consistently picks at the pervasive social and political environments that enable these harms.
