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5 days ago · This is a piano concerto composed by Wolfgang Amadeus Mozart at the age of eleven! I had to submit this for a competition, and I got 3rd place! I think this ...
2 days ago · These pieces, written in Mozart’s home city, bear witness to the relationships Mozart enjoyed with his pupils in the Salzburg aristocracy. Composed for Josepha Barbara von Auernhammer, the Concerto for two pianos, K. 365 is characterised by its virtuoso interplay between the pianists; the use of the two instruments afforded the composer an ...
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2 days ago · Perforce, the pieces are numbered, but think of them as a revolving circle and start where you please. 1. Maurice Ravel, Piano Concerto No. 1 in G Major, 1931. A pianist, Ravel (famous for Bolero) left a spectacular legacy of works, many for piano and all intricately crafted.
13 hours ago · The second movement of Mozart’s Piano Sonata No. 13 is marked “Andante cantabile” and is set in the key of E-flat major. This movement offers a contrast to the lively and spirited first movement, providing a moment of lyrical beauty and expressive depth. “Andante cantabile” translates to “slow and in a singing style,” which ...
5 days ago · Sergei Rachmaninoff - Piano Concerto No. 3 in D minor, Op. 30. Known for its demanding technical prowess and emotional depth, Rachmaninoff's third piano concerto challenges even the most skilled pianists with its complex rhythms, large chords, and fast passages. Premiere: 1909. Composer's Nationality: Russian. 3.
It is understood from the knowledge of Mozarts character and skill as a virtuoso that his concertos are intended to be played with significant input from the performer. Of even greater importance than this is the fact that Mozart often gave the first performance himself! So why then, do more modern performances not feature such interpretations?
13 hours ago · RACHMANINOFF’S PIANO CONCERTO NO. 3, “RACH 3,” as it is known, is notoriously difficult and feared by many pianists, particularly those with smaller handspans. Details about this are offered in Olivia Hampton’s NPR piece, “Pianist Hannah Reimann Advocates for Narrower Pianos to Help Those with Small Hands” Here are tidbits gleaned ...
