Denis Villeneuve
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1 day ago · Editor Joe Walker on Dune: Part Two. “Fear is a big motivator!”. Editor Joe Walker on Dune: Part Two. We speak to Oscar-winning editor, Joe Walker, about Dune: Part Two and working with his long-time collaborator, Denis Villeneuve. By Rachael Harper 30-05-24 2. After the success of Denis Villeneuve’s adaptation of Frank Herbert’s Dune ...
4 days ago · In today’s episode, No Film School’s GG Hawkins speaks with Sandra Torres Granovsky to discuss: How studying anthropology affected her approach to editing; Following your inner voice while editing; Surrendering to the rhythm of the actor and the perspective of the director; Creating the first editor’s cut; Making something out of nothing
4 days ago · But amid that uncertainty, reporter Nellie Bowles contacted Lance with a strange story: she was looking to have a baby and discovered a massive, unregulated online marketplace for donor sperm on Facebook. Lance’s and my interest was immediately piqued. His first shoot, which formed the initial five-minute cold open of the film, took place at ...
5 days ago · Editor(s) Terry Rawlings Marsha Nakashima Joe Walker: Kiyoshi Hirose Production companies Shaw Brothers The Ladd Company Blade Runner Partnership Torridon Films Columbia Pictures 16:14 Entertainment Alcon Entertainment Scott Free Productions Thunderbird Entertainment: Columbia Pictures Alcon Entertainment Scott Free Productions Thunderbird ...
2 days ago · A movie based on the Just Cause video game franchise has been in the works for years, but it’s gotten back on track with a new director at the helm. Ángel Manuel Soto ( Blue Beetle) is set to ...
4 days ago · | The Art of Editing. This workshop is for editors, directors, and other filmmakers who want to go beyond software and workflow and discuss the nuances of what makes a cut motivated and compelling. Dates: May 27, 2024 - May 31, 2024. Aug 19, 2024 - Aug 23, 2024. Levels: Intermediate, Advanced. Workshop Fee: $1295 (May 27-31) Or $1550 (Aug 19-23)
4 days ago · Street cleaners sweep confetti and finery into soggy heaps in the gutter. The cold muzzling rain smells of sour paper pulp. Only a few maskers remain abroad, tottering apes clad in Spanish moss, Frankenstein monsters with bolts through their necks…”. New Orleans’s beloved fest as a 1930s Universal horror flick.
