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2 days ago · Liebster Gott, wenn werd ich sterben? (lit. ' Dearest God, when will I die? '), BWV 8, is a church cantata for the 16th Sunday after Trinity by Johann Sebastian Bach. It is a chorale cantata, part of Bach's second cantata cycle. Bach performed it for the first time on 24 September 1724 in St. Nicholas Church in Leipzig.
5 days ago · BWV 182. German Title: Himmelskönig, sei willkommen. English Title: King of Heaven, be Thou welcome (by Alec Robertson) Event: Cantata for Palm Sunday. Readings: Epistle: Philippians. 2: 5-11 / 1 Corinthians 11: 23-32; Gospel: Matthew 21: 1-9. Musical Context: Motets & Chorales for Palm Sunday, Holy Week.
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5 days ago · Ref. BWV 140. German Title. Wachet auf, ruft uns die Stimme. English Title. Wake up, cries the watchmen’s voice (by Richard Stokes) Event. Chorale Cantata for the 27 th Sunday after Trinity. Readings: Epistle: 2 Corinthians 5: 1-10 / 1 Thessalonians 5: 1-11; Gospel: Matthew 25: 1-13.
How: In recognizing this musical-semantic phenomenon this article discusses significant instances of negative and positive responses to the parousia in Bach`s oeuvre. Future: Watchfulness and prayer in the present are thus essential in escaping the judgement that awaits the soul in the future – whether at death or the parousia. It reaches to ...
5 days ago · Cantata BWV 202: Weichet nur, betrübte Schatten for Wedding [Secular cantata] (1718-1723) Details | Discography: Complete Recordings: 1900-1949 | 1950-1959 | 1960-1969 | 1970-1979 | 1980-1989 | 1990-1999 | 2000-2009 | 2010-2019 | 2020-2029 | Recordings of Individual Movements.
5 days ago · BWV 170. German Title. Vergnügte Ruh', beliebte Seelenlust. English Title. Contented rest, beloved inner joy (by Richard Stokes) Event. Solo Cantata (for Alto) for the 6 th Sunday after Trinity. Readings: Epistle: Romans 6: 3-11; Gospel: Matthew 5: 20-26. Musical Context: Motets & Chorales for 6 th Sunday after Trinity.