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  1. Aline Brosh McKenna (born August 2, 1967) is an American screenwriter, producer and director. Her credits include writing The Devil Wears Prada (2006), 27 Dresses (2008), Morning Glory (2010), We Bought a Zoo (2011) and co-creating The CW's Crazy Ex-Girlfriend.

  2. Aline Brosh McKenna was born on 2 August 1967 in France. She is a producer and writer, known for Crazy Ex-Girlfriend (2015), The Devil Wears Prada (2006) and Your Place or Mine (2023). She is married to Will McKenna.

  3. Nov 9, 2017 · How Aline Brosh McKenna Reinvented the Romantic Comedyfor TV. The ‘Crazy Ex-Girlfriend’ cocreator is also the woman who wrote scripts for ‘The Devil Wears Prada,’ ‘27 Dresses,’ and ‘Morning...

  4. Sep 24, 2012 · Rom-com royalty, Aline Brosh McKenna has been defining the genre for decades. Our @TaraDBennett asked her about the state of the rom-com and where Your Place or Mine fits in: https:// bit.ly/3Iz6Mtb

  5. Mar 21, 2019 · Aline Brosh McKenna is the co-creator and showrunner ofCrazy Ex-Girlfriend.” She also wrote the screenplays for “The Devil Wears Prada” and “27 Dresses.”

  6. Oct 9, 2018 · Happy endings by screenwriter Aline Brosh McKenna ’89 are particularly satisfying in that they are both generous and understated. She has made a career of writing consistently heartwarming,...

  7. Feb 18, 2023 · Our Aline Brosh McKenna interview is about her tweaking the rom-com formula for decades. With her new Netflix movie Your Place or Mine, she….

  8. Feb 10, 2023 · Aline Brosh McKenna, the writer behind ‘The Devil Wears Prada,’ returns to her roots (and takes a seat in the director’s chair) with Netflix’s two-hander starring Reese Witherspoon and ...

  9. Feb 8, 2023 · Why ‘Your Place or Mine’ Filmmaker Aline Brosh McKenna Waited So Long to Direct Her First Movie. The screenwriter of “The Devil Wears Prada” and “27 Dresses” helmed Netflix’s newest rom-com, starring Reese Witherspoon and Ashton Kutcher. By Rachel Simon Published: Feb 8, 2023.

  10. Nov 18, 2010 · Screenwriter Aline Brosh McKenna has her finger on the pulse of what’s driving young American women in the workforce today. In her new film, the screenwriter switches from fashion to morning news to write about a woman struggling to make it in the turbulent world of broadcasting.

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