The Wages of Fear
1955
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Henri-Georges Clouzot ( French: [ɑ̃ʁi ʒɔʁʒ kluzo]; 20 November 1907 – 12 January 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear (1953) and Les Diaboliques (1955), which are critically recognized as among the greatest films of ...
Henri-Georges Clouzot. Writer: The Wages of Fear. Beginning his film career as a screenwriter, Henri-Georges Clouzot switched over to directing and in 1943 had the distinction of having his film The Raven (1943) banned by both the German forces occupying France and the Free French forces fighting them, but for different reasons.
A pivotal and divisive figure of Forties and Fifties French cinema, Henri-Georges Clouzot (1907 - 1977) made his name as a daring iconoclast through a series of hugely influential, often controversial, films whose stylistic audacity, off-beat humor and ...
Jan 25, 2024 · Henri-Georges Clouzot, active between the 1940s and '60s, was a director primarily of noir films and thrillers. His defining projects are Diabolique and The Wages of Fear, two of the...
Henri-Georges Clouzot was a French film director, writer and producer. He contributed to many projects as either the writer, director, producer, or a combination of the three. His first feature film was Tout pour l'amour (1933) and as a sole director the first was the 1942 mystery The Murderer Lives at Number 21 (French: L'Assassin Habite au 21 ...
Henri-Georges Clouzot. Writer: The Wages of Fear. Beginning his film career as a screenwriter, Henri-Georges Clouzot switched over to directing and in 1943 had the distinction of having his film The Raven (1943) banned by both the German forces occupying France and the Free French forces fighting them, but for different reasons.
Oct 18, 2017 · Henri-Georges Clouzot’s movies provide some of the most thrilling yet paranoid portrayals of France in cinema. Filled with treachery, voyeurism and unease at the unknown, his cinematic world forces its characters to confront the darker reality behind closed doors – much as Alfred Hitchcock was doing in Hollywood during the same years.
