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  1. Krzysztof Kieślowski

    Krzysztof Kieślowski

    Polish film director and screenwriter

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  1. 5 days ago · I got disillusioned faster than most people—I had big ambitions, but I saw right away that I didn’t quite fit the mold of pitching stories and trying to come up with high-concept pitches that could be fast-tracked. I was a [Krzysztof] Kieślowski fan, I wanted to make films like Red, Blue, and White. Q: Also films that have nonlinear ...

  2. 5 days ago · Kieślowski named his three films Blue, White, and Red, after the colors of the French flag; they represent, respectively, the French Revolution’s ideals of liberté, égalité, and fraternité ...

  3. 3 days ago · It was back in May of 1994 when Shaji Karun’s grief drama Swaham competed alongside heavyweight favourites like Krzysztof Kieślowski’s Three Colors: Red and Quentin Tarantino’s Pulp Fiction, the eventual Palme winner.

  4. 1 day ago · Aktor występował u takich cenionych reżyserów, jak Krzysztof Zanussi, Andrzej Wajda, Krzysztof Kieślowski czy Stanisław Różewicz. Rozpoznawalność przyniosły mu role w „Barwach ochronnych”, „Drzwiach w murze”, „Bez znieczulenia” oraz w „Życiu jako śmiertelnej chorobie przenoszonej drogą płciową”.

  5. 3 days ago · It’s as if Imielska is silently quoting Krzysztof Kieślowski, who says, in the 1995 film about himself I’m So-so, that there are places and moments where the documentary filmmaker isn’t allowed to go with his camera – the reason why he gave up documentaries and made fiction only.

  6. 5 days ago · The Double Life of Véronique is a 1991 French and Polish-language drama film directed by Krzysztof Kieślowski and starring Irène Jacob. Written by Kieślowski and Krzysztof Piesiewicz, the film explores the themes of identity, love, and human intuition through the characters of Weronika, a Polish choir soprano, and her double, Véronique, a ...

  7. 5 days ago · The depiction of grief in films is as variable as film form. It can be outwardly melodramatic like in Krzysztof Kieślowski’s Three Colors: Blue (1993), recklessly self-destructive as in Lars Von Trier’s Antichrist (2009), or soul-cleansingly spiritual (see Terrence Malick’s 2011 film, The Tree of Life). But there’s one thing that binds ...

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