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4 days ago · Peter Greenaway was born on April 5, 1942, in Newport, Wales. His father worked as a builder’s merchant and was an ornithologist, while his mother was a teacher. After World War II, the family relocated to Essex, England. Greenaway's early interest in art led him to study at Walthamstow School of Art in London during the early 1960s.
4 days ago · The Artistry of Peter Greenaway talk 2024-07-04 - Stilllivesinmotion:TheArtistryofPeterGreenaway,atalkby Dr Benedict Morrison, will be presented by the Arts Society Horsham on Wednesday (July 10), at 10.45am in The Capitol, North Street, Horsham. Peter Greenaway is one of Britain’s most ambitious and controversial directors.
13 hours ago · Stazione di Chiaia, progettata dall’architetto Siola, con interventi artistici di Peter Greenaway . Ascolta la versione audio dell'articolo. 4' di lettura.
1 day ago · In Une sale histoire (Jean Eustache, 1977), a dirty story is told – twice. The work comprises two notionally identical short films in which a middle-aged man narrates a story of erotic obsession to a mixed audience. Each film has its own style. The first film features revered theatre actor Michael Lonsdale, is shot in 35mm with the formal ...
2 days ago · This includes Pedro Almodovar’s Matador, Jane Campion’s Bright Star, Robert Altman’s Short Cuts and Peter Greenaway’s The Cook, the Thief, His Wife & Her Lover. With more than 100,000 seats filled per year, the festival remains popular, even as streaming seems to be taking over.
1 day ago · The Draughtsman's Contract (Peter Greenaway, UK) Eating Raoul (Paul Bartel, USA) Identification of a Woman (Michelangelo Antonioni, Italy) Koyaanisqatsi (Godfrey Reggio, USA) Little People (Jan Krawitz & Thomas Ott, USA) Little Wars (Maroun Bagdadi, Lebanon) Moonlighting (Jerzy Skolimowski, UK) The Night of the Shooting Stars (Paolo and ...
3 days ago · Peter Greenaway’s film about body writing is sheer poetry. With its magnet imagery and overall erotic themes, The Pillow Book becomes an obsession of achieving greatness. In a movie that feels like a book or the other way around, Peter Greenaway transforms the act of writing as a matter of life or death.
