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  1. Feb 2, 2023 · They’re the couple at the heart of Sam Steiners playful romcom who are fumbling their way through an average relationship when a draconian law limiting every citizen to 140 words per...

  2. Jan 20, 2020 · For those who read our top 10 reviewed shows for 2019, the name Sam Steiner ought to ring one or two bells. He is a young British playwright who has built a reputation for himself over the last five years with a string of successful shows at the Edinburgh Fringe.

  3. Jan 22, 2020 · Sam Steiners end-of-the-world call centre drama is a lovely idea that doesn’t quite work. Wednesday 22 January 2020. Written by Andrzej Lukowski. Theatre & Dance Editor, UK. Time Out...

  4. Feb 28, 2023 · review: Jenna Coleman and Aidan Turner triumph in experimental language drama. Sam Steiner’s thought-provoking fringe hit, in which daily dialogue is reduced to the length of a Twitter caption, heads to the West End with a starry double-act who more than prove their acting dexterity. By Annabel Sampson. 28 February 2023.

  5. Feb 1, 2023 · This lively debut, by the young British playwright Sam Steiner, enjoyed modest success on the independent circuit a few years ago.

  6. Jan 12, 2023 · Living in a parallel version of our contemporary world, they suddenly have to contend with the Quietude Bill — or “Hush Law”, as they call it — which restricts every citizen to 140 words ...

  7. www.theguardian.com › stage › 2023The Guardian

    Oct 17, 2023 · We would like to show you a description here but the site won’t allow us.

  8. Visit our Plays to Perform site... Sam Steiner. Sam Steiner is a playwright and screenwriter from Manchester. His plays include: A Table Tennis Play (Walrus Theatre, Edinburgh Fringe, 2019); You Stupid Darkness!

  9. Oct 4, 2021 · With his 2019 stage play You Stupid Darkness, Manchester-born writer Sam Steiner imagined a contaminated world that requires the wearing of gas masks when outdoors.

  10. Feb 1, 2023 · It is ostensibly to “reduce overstimulation” and give people’s minds a break, but seems in fact to be a way of limiting free expression. The playwright has said he chose the number 140 in ...

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