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  1. 4 days ago · Feux follets, composed by Franz Liszt in 1851, is a captivating piano piece that showcases his artistic brilliance and technical prowess. The French title translates to “Will-o’-the-wisp” or “Sprites,” and the music mimics these elusive and flickering movements through a series of fast and intricate passages.

  2. 4 days ago · If Liszts conception of how to pace the Symphony’s drama might not have always been spot-on, the technical skill he displayed in his writing here is never short of inspired. Composer Franz Liszt — he could be a profoundly forward-looking musician.

  3. 2 days ago · Start your day with an energising selection of the best in classical music. Credits. Megan Burslem, Presenter; ... Liszt, Franz. Performers. Jean-Yves Thibaudet (piano) Album. Carte Blanche, 485 ...

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  5. 4 days ago · Franz Liszt. Franz Liszt was a Hungarian pianist and composer who lived in the 19th century. He was known for his flamboyant performing style, which included dramatic gestures and virtuosic flourishes. Liszt’s technical ability on the piano was unparalleled, and he pushed the boundaries of what was possible with the instrument.

  6. 5 days ago · Classical Album Review: A Panorama of Piano Music from Berlioz’s World. June 25, 2023 | Leave a Comment. A fascinating CD packed full of little-known works by composers who knew Berlioz, including his onetime fiancée Camille Moke and a youngish Franz Liszt. By Ralph P. Locke.

  7. 1 day ago · Liszt’s operatic transcriptions are always entertaining and the works on this disc are no exception. It’s not always the most illuminating music but it’s fun, virtuosic, and often beautiful. The Grande fantaisie on themes from Meyerbeer’s Les Huguenots is not one of Liszt’s more popular operatic fantaisies and is surprisingly a more ...

  8. 2 days ago · Donate. The Church’s Oldest Latin Eucharistic Hymn. Jeff Ostrowski· May 28, 2024. HEY SAY THATAbbé Franz Liszt played a composition best of all when sight-reading it for the first time.1After playing through it once, Liszt became “jaded”—so he started to tinker around with it, adding his own modifications to avoid boredom.

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