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  2. 22 hours ago · After that opening, we proceed to a second contrasting section with more movement provided by timpani and snare. Here all the brass play together with fully resonant chords. A wall of sound but not necessarily screaming the house down. Just brass instruments making a beautiful sound together. As it should be.

  3. 1 day ago · Whereas in Mozart, it’s the delineation of each macro section within the work that must be clear to the listener so the overall structure of the music can be appreciated. While Mozart did write for the piano, it wasn’t like a modern piano. During Mozart’s life, the piano didn’t have nearly the power or range of expression of a modern piano.

  4. 4 days ago · The Cleveland Orchestra’s staging of Mozart’s “The Magic Flute” was a reminder that ensembles can help fill the gap as opera grows harder to find. By Zachary Woolfe Reporting from ...

  5. 1 day ago · The transverse flute, in particular, became widely popular in European classical music, with composers like Johann Sebastian Bach and Wolfgang Amadeus Mozart writing extensively for the instrument. 2. Asia. Asia boasts an equally rich flute tradition, with numerous indigenous flute types playing pivotal roles in various cultures.

  6. 5 days ago · Leopold Mozart wrote to his son: "…what saddens me at times is that I am no longer able to listen to you play the piano or violin; whenever I go home, I become a bit melancholy and when I get closer to our house, I always imagine I can hear you play the violin …" (October 1777) Mozart wrote to his father: "…afterwards I ate with my cousin ...

  7. 5 days ago · Wolfgang Amadeus Mozart is one of the most outstanding composers in the history of classical music. His work includes many masterpieces, including the Sinfonia Concertante in E-flat major, K. 297b for oboe, clarinet, bassoon, and horn. This piece was composed in 1778 and is one of Mozart's most significant chamber works. The history of the

  8. 3 days ago · While double-reed instruments like the oboe and bassoon became somewhat standardized in the Baroque, the clarinet family of single reeds was not widely used until Mozart expanded its role in orchestral, chamber, and concerto settings.