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1 day ago · At the center was Kathinka Pasveer, the widow of the composer Karlheinz Stockhausen, performing his electronic music at a console. Pierre Audi, the Armory’s artistic director, sat nearby ...
1 day ago · The result, Pasveer said, is a “big, immersive sound” that reveals Stockhausen’s music for what it is: an uncommonly imaginative expansion of simple ideas. She remembered Stockhausen as open and humorous; Audi described him as a luminous presence whose music is frequently misunderstood.
3 days ago · Karlheinz Stockhausen was a German composer and electronic music pioneer who is widely regarded as one of the most influential figures in the history of electronic music. Born in 1928, Stockhausen began his career as a classical composer, but he soon became fascinated with the potential of electronic music to create new and innovative sounds.
2 days ago · Karlheinz Stockhausen. Combined with the newly available tape-recording technology, musique concrète was able to use a multitude of tape techniques including micromontage (joining together small ...
1 day ago · At the Armory, listeners will hear five electronic pieces that make up just a sliver of the 29-hour cycle, but even that will be substantial. They will be performed over two nights, beginning on Wednesday, or as single-day marathons for those who want to get lost in the sounds of Stockhausen, who died in 2007 and influenced the likes of Kraftwerk and Björk.
2 days ago · Stockhausen visited Australia for ten days in April 1970. He gave concert-lectures on electronic music around the country, including three programs in Wilson Hall, at the University of Melbourne. Delivered through a battery of speakers, Stockhausen’s electronic music ‘transformed Wilson Hall into a vast and sometimes terrifying acoustic ...
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2 days ago · Anton Webern (German: [ˈantoːn ˈveːbɐn] ⓘ; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist.His music was among the most radical of its milieu in its concision and use of then novel atonal and twelve-tone techniques in an increasingly rigorous manner, somewhat after the Franco-Flemish School of his studies under Guido Adler.
