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  1. 7 hours ago · The relationship between language and music remains almost self-evident, as does their universal presence in human beings. It is probably better to say language rather than speech, because when it comes to music, a confusion between the concrete reality of speech and the abstract concepts used to describe language has been fostered by the ...

  2. 2 days ago · Many of its speakers were soldiers, slaves, displaced peoples, and forced resettlers, and more likely to be natives of conquered lands than natives of Rome. In Western Europe, Latin gradually replaced Celtic and other Italic languages, which were related to it by a shared Indo-European origin. Commonalities in syntax and vocabulary facilitated ...

  3. 5 days ago · Let's delve into the Phrygian mode, which is one of the seven diatonic modes derived from the major scale. It has a distinctive sound characterized by its minor third interval, giving it a unique and somewhat exotic flavor.

  4. 4 days ago · For more than 2,000 years, traditional Irish music has been popular among its locals since it was first brought to the country by the Celts. It was only in the late 1700s that the music was officially written down as part of the carried-on tradition.

  5. 5 days ago · Italy - Music, Opera, Folk: Italian music has been one of the supreme expressions of that art in Europe: the Gregorian chant, the innovation of modern musical notation in the 11th century, the troubadour song, the madrigal, and the work of Giovanni Pierluigi da Palestrina and Claudio Monteverdi all form part of Italy’s proud musical heritage ...

  6. 1 day ago · Remembering Lapolla, De Capite, and Tomasi. Of all the immigrant novels that have disappeared even from scholarly sight, the most remarkable is Garibaldi M. Lapolla 's The Grand Gennaro (1935), an epic in miniature of turn-of-the-century East Harlem that, more than any other source, sociological or literary, gives us a sense of what life was like in the tougher industrial precincts during the ...

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  8. 1 day ago · Korean ritual music 1 can be seen as an actualization of the Confucian musical ideal. Founded with the support from neo-Confucian intellectuals in 1392, the Joseon 2 dynasty sought a Confucian state. The reconstruction of Confucian ritual music was one of the most salient projects to which Joseon intellectual energies were devoted.

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