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  1. en.wikipedia.org › wiki › Bel_cantoBel canto - Wikipedia

    Bel canto (Italian for 'beautiful singing' / 'beautiful song', Italian: [ˈbɛl ˈkanto])—with several similar constructions (bellezze del canto, bell'arte del canto, pronounced in English as / b ɛ l ˈ k ə n t ə ʊ / ⓘ)—is a term with several meanings that relate to Italian singing.

  2. May 22, 2001 · 285,346 ratings18,751 reviews. Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of the powerful businessman Mr. Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerized the international guests with her singing.

    • (284.9K)
    • 2001
    • Ann Patchett
    • Paperback
  3. Bel canto, style of operatic singing that originated in Italian singing of polyphonic (multipart) music and Italian courtly solo singing during the late 16th century. Masters of bel canto included soprano Farinelli, tenor Manuel del Popolo Garcia, soprano Maria Malibran, and soprano Jenny Lind.

    • The Editors of Encyclopaedia Britannica
  4. A short summary of Ann Patchett's Bel Canto. This free synopsis covers all the crucial plot points of Bel Canto.

    • Ann Patchett
    • 2001
  5. Based on the Japanese embassy hostage crisis (also called the Lima Crisis) of 1996–1997 in Lima, Peru, [3] the novel follows the relationships among a group of young terrorists and their hostages, who are mostly high-profile executives and politicians, over several months.

    • Ann Patchett
    • 2001
  6. Oct 16, 2016 · Bel canto literally translates to “beautiful singing,” and it was a popular singing style in Italian opera from the mid-18th to early 19th centuries. The three kings of bel canto – Rossini, Donizetti, and Bellini – all reigned supreme in the early 19th century, but bel canto as an approach to singing actually started before them.

  7. Opera - Italian, 19th Century, Bel Canto: The remarkable musical achievements of the classical Viennese style during the late 18th and early 19th centuries threatened to leave Italy, opera’s native home, out of the operatic mainstream. Two accidents of history prevented this.

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