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GSA and IRS MBI Cleared Consultant. Highly motivated professional with extensive…. · Experience: eTelligent Group · Location: United States · 500+ connections on LinkedIn. View Charles ...
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Charles J. Bigelow is known as an Production Manager, Production Supervisor, Supervising Producer, and Associate Producer. Some of their work includes The Ape, Mr. Wong, Detective, Doomed to Die, Mr. Wong in Chinatown, The Mystery of Mr. Wong, The Hunted, The Mystery of the 13th Guest, and Law Men.
Charles J. Bigelow was born on 16 October 1903 in Illinois, USA. He was a production manager and producer, known for The Mystery of the 13th Guest (1943), Mr. Wong, Detective (1938) and Under the Big Top (1938). He died on 22 December 1988 in Orange, California, USA.
- Production Manager, Producer, Additional Crew
- October 16, 1903
- Charles J. Bigelow
- December 22, 1988
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CHARLES BIGELOW has been a professor of typography at Rochester Institute of Technology (RIT), Stanford University, Rhode Island School of Design, and other institutions. As professor of digital typography at Stanford in 1983, he organized the first international conference on the art and technology of digital fonts:
Charles J. Bigelow. Producer: The Mystery of the 13th Guest. Charles J. Bigelow was born on 16 October 1903 in Illinois, USA. He was a production manager and producer, known for The Mystery of the 13th Guest (1943), Mr. Wong, Detective (1938) and Under the Big Top (1938). He died on 22 December 1988 in Orange, California, USA.
Nov 2, 2021 · The typography professor at Stanford University and a recent recipient of the prestigious MacArthur Fellowship, aka the Genius Grant, Bigelow is a type historian, educator, creator and author of the upcoming book Our Work about his and Holmes' body of font work. Bigelow learned typography from Jack Stauffacher in the fall of 1967.
Dec 1, 2019 · In 1984–1985, Charles Bigelow and Kris Holmes designed “Lucida” (Bigelow and Holmes, 1986, Bigelow and Holmes, 2018), a family of typefaces partly influenced by vision and reading research. Lucida’s large x-height and wide inter-letter spacing were influenced by Bouma (1970) on crowding, by Campbell and Robson (1968) on spatial ...
