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  1. en.wikipedia.org › wiki › John_OttmanJohn Ottman - Wikipedia

    John Ottman (born July 6, 1964) is an American film composer, director, and editor. He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008) and Jack the Giant Slayer (2013), as well as the X-Men ...

  2. www.imdb.com › name › nm0653211John Ottman - IMDb

    John Ottman is a versatile and award-winning filmmaker who has composed and edited many films, including The Usual Suspects, X-Men, and Bohemian Rhapsody. He also has experience as a producer, director, and actor, and has worked with director Bryan Singer on several projects.

    • January 1, 1
    • John Ottman
    • San Diego, California, USA
  3. Dec 11, 2021 · John Ottman, a composer and editor of many films, talks about his first directorial experience on Star Trek: Discovery Season 4 Episode 4. He shares the challenges and joys of shooting a survival adventure and a political summit on a Star Trek show.

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  4. Aug 6, 2008 · The best music from John Ottman. Buy the CD's of John Ottman! About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new...

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  5. John Ottman (born July 6, 1964) is an American film composer and editor. He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008) and Jack the Giant Slayer (2013), as well as the X-Men film series.

  6. Oct 30, 2021 · For today’s episode, I had the honor and pleasure of talking to John Ottman, best known as the editor and composer of several X-MEN filmsX-MEN 2, DAYS OF FUTURE PAST and APOCALYPSE – and of other Bryan Singer movies like THE USUAL SUSPECTS, VALKYRIE and SUPERMAN RETURNS.

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  8. Feb 18, 2019 · John Ottman talks about his career, his collaboration with Bryan Singer, and his editing challenges on the Queen biopic. He reveals how he used Queen's music and opera to create a timeless and emotional film.

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