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Elliot Goldenthal (born May 2, 1954) is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways.
Composer for film, theater, and orchestra. Play.
Composer Elliot Goldenthal creates works for film, orchestra, theater, opera, and ballet. Goldenthal received an Academy Award and Golden Globe Award for his score for Frida directed by Julie Taymor, having also received Oscar nominations for the film’s original song “Burn It Blue” with lyrics by Taymor, and Oscar nominations for his ...
Elliot Goldenthal is an Academy Award-winning composer best known for his original music scores for such films as Frida (2002) and Across the Universe (2007), among his other works. He was born on May 2, 1954, in Brooklyn, New York.
Composer ELLIOT GOLDENTHAL creates works for orchestra, theater, opera, ballet and film. In 2006, his original two-act opera Grendel, directed by Julie Taymor, premiered at the Los Angeles Opera and had its east coast debut as the centerpiece of the Lincoln Center Festival in New York.
Goldenthal himself once calle... One of the most inventive symphonic works of the recent past - Elliot Goldenthal's monumental film score from "Alien 3" (1992).
Jun 18, 2015 · Oscar-winning composer Elliot Goldenthal takes some time to chat about his newest score to Julie Taymor's A Midsummer Night's Dream. The unique take on the Shakespearean classic was performed...
Elliot Goldenthal is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known...
May 22, 2012 · Oscar winner Elliot Goldenthal takes some time to talk about his concert for the Film Music Festival in Krakow, Poland. We discuss what it was like reflecting back on his body of work and the...
Sep 30, 2020 · Composer Elliot Goldenthal tells how Django Reinhardt and Ornette Coleman touches found their way into his score for "The Glorias."
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