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Oct 26, 2015 · Badiou argues that love is a quest for truth and a construction of a shared world from the perspective of difference. He explores the evolution, the event, the duration and the eternity of love, and how it challenges the self-interest and the separations of the modern world.
Nov 27, 2012 · Through thought-provoking dialogue edited from a conversation between Badiou and Truong, a vibrant cast of thinkers are invoked: Kierkegaard, Plato, de Beauvoir, Proust, and more, create a new narrative of love in the face of twenty-first-century modernity.
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- Alain Badiou, Nicolas Truong
- $12.29
- The New Press
In Praise of Love (French: Éloge de l'amour) is a 2001 French film written and directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe Pollock. Godard has famously stated that "a film should have a beginning, a middle and an end, but not necessarily in that order."
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Jan 1, 2012 · In "In Praise of Love", Alain Badiou takes on contemporary 'dating agency' conceptions of love that come complete with zero-risk insurance - like US zero-casualty bombs. He develops a new take on love that sees it as an adventure, and an opportunity for re-invention, in a constant exploration of otherness and difference that leads the ...
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- Alain Badiou, Nicolas Truong
Nov 27, 2012 · Taking to heart Rimbaud’s famous line “love needs reinventing,” In Praise of Love is the celebrated French intellectual’s passionate treatise in defense of love. For Badiou, love...
- Alain Badiou, Nicolas Truong
- In Praise of Love
- New Press/ORIM, 2012
- Peter Bush
In Praise of Love is a book by the French philosopher Alain Badiou, who defends love as an existential project and a quest for truth. He argues that love is under threat in the modern world and invokes a range of thinkers and writers to support his argument.
Oct 18, 2002 · Roger Ebert criticizes Jean-Luc Godard's film as a confused and self-indulgent attempt to reconstruct his early style and themes. He accuses Godard of anti-Americanism, name-calling, and losing his cinematic vision.
