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Personnel. Peter Case – vocals, guitar, piano. Stephen Bruton – mandolin. T-Bone Burnett – background vocals. Ry Cooder – slide guitar. Dennis Farias – horn. Mitchell Froom – organ, piano. David Hidalgo – 6-string bass, accordion, guitar, bass, ukulele, violin. Jim Keltner – drums, percussion. David Kemper – drums. David Lindley – bouzouki, violin.
1992: Marvin - The Mandolin Man (Regional) - harmonica on track 11, "My Ultimate Home" 1995: The Dark Bob - An Ever Ominous Dream (MITB) - vocals on track 6, "He Knows What I Need" 1997: Tonio K. - Ole (Gadfly) - vocals; 2004: The Crickets - The Crickets & Their Buddies (Sovereign Artists) - harmonica on track 3, '"Not Fade Away"
Instruments. Vocals, guitar, harmonica, piano, organ, bass. Labels. Geffen, Vanguard Records, Alive/Naturalsound, Yep Roc [1] Website. petercase .com. Peter Case (born April 5, 1954) is an American singer-songwriter and guitarist. His career is wide-ranging, from rock n' roll and blues, to folk rock and solo acoustic performance.
Marvin Etzioni, known as the mandolin man, is best known as a founder bassist of the band Lone Justice. Since that time he has produced numerous artists including Toad the Wet Sprocket and Peter Case.… Read Full Biography. STREAM OR BUY: Active. 1990s. Genre. Pop/Rock. Styles. Folk-Rock, Psychedelic/Garage. Member Of. Lone Justice. Discography.
Jun 25, 1992 · As a songwriter and producer, he has worked with Voice of the Beehive, Victoria Williams, Peter Case, the Williams Brothers, Sarah Hickman and Jimmy Barnes. Etzioni produced the second album of...
Getting only minor assists from producer Marvin Etzioni on mandolin and several other musicians (but playing his own barrelhouse piano on “Down in the Alley” and “Well Run Dry”), Case sheds his modern rock’n’roll baggage, drops his defenses and lets it howl, finding himself in the strength of strings.
Mar 19, 2021 · As such, Case only one original song, the piano pop balladry of “Just Hanging On,” with a spritely mandolin by Bert Deivert sprinkled throughout. Case uses the late-night radio program format to plumb some rare bluesy nuggets from the public domain, like “When I Was a Cowboy” or Memphis Minnie’s starlight turn of “Bumble Bee.”
