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Art Direction (Color) - Art Direction: Lyle Wheeler, George Davis; Set Decoration: Thomas Little, Paul S. Fox Cinematography (Color) - Leon Shamroy Costume Design (Color) - Charles LeMaire, Edward Stevenson Music (Music Score of a Dramatic or Comedy Picture) - Alfred Newman
- Best Motion Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
The Greatest Show on Earth – Cecil B. DeMille High Noon – Stanley Kramer Ivanhoe – Pandro S. Berman Moulin Rouge – Romulus Films The Quiet Man– John Ford, Merian C. Cooper
Five Fingers – Joseph L. Mankiewicz The Greatest Show on Earth – Cecil B. DeMille High Noon – Fred Zinnemann Moulin Rouge – John Huston The Quiet Man– John Ford
Marlon Brando – Viva Zapata! Gary Cooper – High Noon Kirk Douglas – The Bad and the Beautiful José Ferrer – Moulin Rouge Alec Guinness – The Lavender Hill Mob
Shirley Booth – Come Back, Little Sheba Joan Crawford – Sudden Fear Bette Davis – The Star Julie Harris – The Member of the Wedding Susan Hayward – With a Song in My Heart
Richard Burton – My Cousin Rachel Arthur Hunnicutt – The Big Sky Victor McLaglen – The Quiet Man Jack Palance – Sudden Fear Anthony Quinn – Viva Zapata!
Gloria Grahame – The Bad and the Beautiful Jean Hagen – Singin’ in the Rain Colette Marchand – Moulin Rouge Terry Moore – Come Back, Little Sheba Thelma Ritter – With a Song in My Heart
The Greatest Show on Earth – Fredric M. Frank, Theodore St. John, Frank Cavett My Son John – Leo McCarey The Narrow Margin – Martin Goldsmith, Jack Leonard The Pride of St. Louis – Guy Trosper The Sniper– Edna Anhalt, Edward Anhalt
“Am I In Love” – Son of Paleface – Music, Lyrics by Jack Brooks “Because You’re Mine” – Because You’re Mine – Music by Nicholas Brodszky; Lyrics by Sammy Cahn “High Noon (Do Not Forsake Me, Oh My Darlin’)” – High Noon – Music by Dimitri Tiomkin; Lyrics by Ned Washington “Thumbelina” – Hans Christian Andersen – Music, Lyrics by Frank Loesser “Zing A...
Come Back, Little Sheba – Warren Low Flat Top – William Austin The Greatest Show on Earth – Anne Bauchens High Noon – Elmo Williams, Harry Gerstad Moulin Rouge– Ralph Kemplen
The Bad and the Beautiful – Robert Surtees The Big Sky – Russell Harlan My Cousin Rachel – Joseph LaShelle Navajo – Virgil E. Miller Sudden Fear– Charles B. Lang, Jr.
Best Art Direction, Black-and-White Best Art Direction, Color; The Bad and the Beautiful – Art Direction: Cedric Gibbons and Edward Carfagno; Set Decoration: Edwin B. Willis and F. Keogh Gleason ‡ Carrie – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Emile Kuri; My Cousin Rachel – Art Direction: Lyle R. Wheeler and ...
Best Motion PictureBest DirectorThe Greatest Show on Earth – Cecil B.John Ford – The Quiet Man ‡ Joseph L.Gary Cooper – High Noon as Marshall Will ...Shirley Booth – Come Back, Little Sheba ...Anthony Quinn – Viva Zapata! as Eufemio ...Gloria Grahame – The Bad and the ...The Bad and the Beautiful – Charles ...The Lavender Hill Mob – T. E. B. Clarke ‡ ...Best Art Direction (Black-and-White) A Streetcar Named Desire Richard Day [Art Direction] and George James Hopkins [Set Decoration] Best Art Direction (Color) An American in Paris Cedric Gibbons [Art Direction], Preston Ames [Art Direction], Edwin B. Willis [Set Decoration] and Keogh Gleason [Set Decoration] Best Cinematography (Black-and-White)
Academy Award for Best Art Direction-Interior Decoration, Black-and-White Cedric Gibbons , Edward Carfagno , Edwin B. Willis , F. Keogh Gleason Honored for : The Bad and the Beautiful
Best Art Direction, Black-and-White Best Art Direction, Color; A Streetcar Named Desire – Art Direction: Richard Day; Set Decoration: George James Hopkins‡ Fourteen Hours – Art Direction: Lyle R. Wheeler and Leland Fuller; Set Decoration: Thomas Little and Fred J. Rode
Days of Wine and Roses -- Art Direction: Joseph Wright; Set Decoration: George James Hopkins. The Longest Day -- Art Direction: Ted Haworth, Leon Barsacq, Vincent Korda; Set Decoration: Gabriel Bechir. Period of Adjustment -- Art Direction: George W. Davis, Edward Carfagno; Set Decoration: Henry Grace, Dick Pefferle.
