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  1. Anne-Marie Miéville

    Swiss film director, screen writer and actress

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  1. 11 November 1945 (age 78) Lausanne, Switzerland. Occupation. Filmmaker. Partner (s) Jean-Luc Godard. (1978–2022; his death) Anne-Marie Miéville ( French pronunciation: [an maʁi mjevil]; born 11 November 1945) is a Swiss video and filmmaker whom Sight & Sound has called a "hugely important multimedia artist." [1]

  2. Anne-Marie Miéville, née le 11 novembre 1945 à Lausanne, est une cinéaste, réalisatrice, productrice, scénariste, actrice et écrivaine vaudoise . Biographie. Née en 1945 à Lausanne 1, Anne-Marie Miéville exerce la profession de photographe et est gérante d'une librairie.

  3. Best known for her two-decade collaboration with Jean-Luc Godard—as a still photographer, actress, producer, editor, co-director, writer, and art director for various of his films since 1972—Swiss writer-director Anne-Marie Miéville has created a distinctive body of short and feature films of her own.

  4. Anne-Marie Miéville was born on 11 November 1945 in Lausanne, Switzerland. She is a director and writer, known for Lou n'a pas dit non (1994), Mon cher sujet (1988) and How Is It Going? (1976). She was previously married to Jean-Luc Godard.

    • Director, Writer, Editor
    • November 11, 1945
    • Anne-Marie Miéville
  5. Anne-Marie Miéville, born November 11, 1945 in Lausanne, is a filmmaker, director, producer, screenwriter, actress and writer from Vaud. Anne-Marie Miéville works as a photographer and is the manager of a bookstore. In the 1960s, she also recorded two variety discs for Barclay, on songs by Jean-Jacques Debout.

  6. Anne-Marie Miéville (French pronunciation: [an maʁi mjevil]; born 11 November 1945) is a Swiss video and filmmaker whom Sight & Sound has called a "hugely important multimedia artist."

  7. Anne-Marie Miéville. Anne-Marie Miéville is a hugely important multimedia artist. She is a filmmaker, editor, writer and photographer whose presence continues to define one of the most productive, giving and enduring collaborations in cinema.

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