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      • Best Art Direction, Black-and-White: Somebody Up There Likes Me – Art Direction: Cedric Gibbons and Malcolm Brown; Set Decoration: Edwin B. Willis and F. Keogh Gleason (WINNER) The Proud and Profane – Art Direction: Hal Pereira and A. Earl Hedrick; Set Decoration: Samuel M. Comer and Frank R. McKelvy
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  2. Art Direction (Black-and-White) - Art Direction: Hal Pereira, A. Earl Hedrick; Set Decoration: Samuel M. Comer, Frank R. McKelvy Costume Design (Black-and-White) - Edith Head The Proud and the Beautiful

  3. Best Art Direction, Color Best Cinematography, Black-and-White; The King and I – Art Direction: Lyle R. Wheeler and John DeCuir; Set Decoration: Walter M. Scott and Paul S. Fox‡ Around the World in 80 Days – Art Direction: James W. Sullivan and Ken Adam; Set Decoration: Ross Dowd

  4. ART DIRECTION (Black-and-White) The Magnificent Seven – Takashi Matsuyama The Proud and Profane – Art Direction: Hal Pereira, A. Earl Hedrick; Set Decoration: Samuel M. Comer, Frank R. McKelvy The Solid Gold Cadillac – Art Direction: Ross Bellah; Set Decoration: William R. Kiernan, Louis Diage

  5. Best Art Direction (Color) The King and I Lyle R. Wheeler [Art Direction], John DeCuir [Art Direction], Walter M. Scott [Set Decoration] and Paul S. Fox [Set Decoration] Best Cinematography (Black-and-White) Somebody Up There Likes Me Joseph Ruttenberg; Best Cinematography (Color) Around the World in 80 Days Lionel Lindon; Best Costume Design ...

  6. Best Art Direction, Black-and-White: Somebody Up There Likes Me – Art Direction: Cedric Gibbons and Malcolm Brown; Set Decoration: Edwin B. Willis and F. Keogh Gleason (WINNER) The Proud and Profane – Art Direction: Hal Pereira and A. Earl Hedrick; Set Decoration: Samuel M. Comer and Frank R. McKelvy Seven Samurai – Art Direction and Set ...

  7. Days of Wine and Roses -- Art Direction: Joseph Wright; Set Decoration: George James Hopkins. The Longest Day -- Art Direction: Ted Haworth, Leon Barsacq, Vincent Korda; Set Decoration: Gabriel Bechir. Period of Adjustment -- Art Direction: George W. Davis, Edward Carfagno; Set Decoration: Henry Grace, Dick Pefferle.

  8. The Academy Award for Best Art Direction recognizes achievement in art direction on a film. From 1940 through 1956 and again from 1959-1966, it was divided into two categories Best Art Direction (Black-and-White) and Best Art Direction (Color). It changed to its current name, Best Production Design, in 2012 for the 85th Academy Awards.

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