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* Art Direction (Black-and-White) - Art Direction: Alexander Golitzen, Henry Bumstead; Set Decoration: Oliver Emert * Writing (Screenplay--based on material from another medium) - Horton Foote Actress in a Supporting Role - Mary Badham Cinematography (Black-and-White) - Russell Harlan
- Best Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
America America – Elia Kazan Cleopatra – Walter Wanger How the West Was Won – Bernard Smith Lilies of the Field – Ralph Nelson Tom Jones– Tony Richardson
America America – Elia Kazan The Cardinal – Otto Preminger Federico Fellini’s 8-1/2 – Federico Fellini Hud – Martin Ritt Tom Jones– Tony Richardson
Albert Finney – Tom Jones Richard Harris – This Sporting Life Rex Harrison – Cleopatra Paul Newman – Hud Sidney Poitier – Lilies of the Field
Leslie Caron – The L-Shaped Room Shirley MacLaine – Irma La Douce Patricia Neal – Hud Rachel Roberts – This Sporting Life Natalie Wood – Love with the Proper Stranger
Nick Adams – Twilight of Honor Bobby Darin – Captain Newman, M.D. Melvyn Douglas – Hud Hugh Griffith – Tom Jones John Huston – The Cardinal
Diane Cilento – Tom Jones Dame Edith Evans – Tom Jones Joyce Redman – Tom Jones Margaret Rutherford – The V.I.P.s Lilia Skala – Lilies of the Field
Captain Newman, M.D. – Richard L. Breen, Phoebe Ephron, Henry Ephron Hud – Irving Ravetch, Harriet Frank, Jr. Lilies of the Field – James Poe Sundays and Cybele – Serge Bourguignon, Antoine Tudal Tom Jones– John Osborne
“Call Me Irresponsible” – Papa’s Delicate Condition – Music by James Van Heusen; Lyrics by Sammy Cahn “Charade” – Charade – Music by Henry Mancini; Lyrics by Johnny Mercer “It’s A Mad, Mad, Mad, Mad World” – It’s a Mad, Mad, Mad, Mad World – Music by Ernest Gold; Lyrics by Mack David “So Little Time” – 55 Days at Peking – Music by Dimitri Tiomkin; ...
The Cardinal – Louis R. Loeffler Cleopatra – Dorothy Spencer The Great Escape – Ferris Webster How the West Was Won – Harold F. Kress It’s a Mad, Mad, Mad, Mad World– Frederic Knudtson, Robert C. Jones, Gene Fowler, Jr.
The Balcony – George Folsey The Caretakers – Lucien Ballard Hud – James Wong Howe Lilies of the Field – Ernest Haller Love with the Proper Stranger– Milton Krasner
Best Art Direction, Black-and-White Best Art Direction, Color; America America – Art Direction and Set Decoration: Gene Callahan‡ 8½ – Art Direction and Set Decoration: Piero Gherardi; Hud – Art Direction: Hal Pereira and Tambi Larsen; Set Decoration: Samuel M. Comer and Robert R. Benton
Best PictureBest DirectorTom Jones – Tony Richardson, producer ‡ ...Tony Richardson – Tom Jones ‡ Federico ...Sidney Poitier – Lilies of the Field as ...Patricia Neal – Hud as Alma Brown ‡ ...Melvyn Douglas – Hud as Homer Bannon ‡ ...Margaret Rutherford – The V.I.P.s as the ...How the West Was Won – James R. Webb ‡ 8½ ...Tom Jones – John Osborne based on the ...Best Art Direction (Color) Lawrence of Arabia John Box [Art Direction], John Stoll [Art Direction] and Dario Simoni [Set Decoration] Best Cinematography (Black-and-White) The Longest Day Jean Bourgoin and Walter Wottitz; Best Cinematography (Color) Lawrence of Arabia Fred A. Young; Best Costume Design (Black-and-White) What Ever Happened to ...
Best Art Direction (Black-and-White) America America Gene Callahan; Best Art Direction (Color) Cleopatra
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Best Art Direction (Black-and-White) Days of Wine and Roses Joseph Wright [Art Direction] and George James Hopkins [Set Decoration] The Longest Day Ted Haworth [Art Direction], Leon Barsacq [Art Direction], Vincent Korda [Art Direction] and Gabriel Bechir [Set Decoration] Period of Adjustment
Days of Wine and Roses -- Art Direction: Joseph Wright; Set Decoration: George James Hopkins. The Longest Day -- Art Direction: Ted Haworth, Leon Barsacq, Vincent Korda; Set Decoration: Gabriel Bechir. Period of Adjustment -- Art Direction: George W. Davis, Edward Carfagno; Set Decoration: Henry Grace, Dick Pefferle.
