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Art Direction (Black-and-White) - Art Direction: Robert Luthardt; Set Decoration: Edward G. Boyle Cinematography (Black-and-White) - Joseph LaShelle Writing (Story and Screenplay--written directly for the screen) - Billy Wilder, I. A. L. Diamond
Best Art Direction, Black-and-White Best Art Direction, Color; Who's Afraid of Virginia Woolf? – Art Direction: Richard Sylbert; Set Decoration: George James Hopkins‡ The Fortune Cookie – Art Direction: Robert Luthardt; Set Decoration: Edward G. Boyle; The Gospel According to St. Matthew – Art Direction and Set Decoration: Luigi Scaccianoce
The Academy Award for Best Production Design recognizes achievement in art direction on a film. The category's original name was Best Art Direction , but from 1939 through 1956 and again from 1959-1966, it was divided into two categories Best Art Direction (Black-and-White) and Best Art Direction (Color) .
Art Direction (Black-and-White) - Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Robert Benton Directing - Martin Ritt Writing (Screenplay--based on material from another medium) - Irving Ravetch, Harriet Frank, Jr.
Best Art Direction (Black-and-White) The Fortune Cookie Robert Luthardt [Art Direction] and Edward G. Boyle [Set Decoration] The Gospel According to St. Matthew Luigi Scaccianoce; Is Paris Burning? Willy Holt [Art Direction], Marc Frederix [Set Decoration] and Pierre Guffroy [Set Decoration] Mister Buddwing
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* Art Direction (Black-and-White) - Art Direction: Cedric Gibbons, Malcolm F. Brown; Set Decoration: Edwin B. Willis, F. Keogh Gleason * Cinematography (Black-and-White) - Joseph Ruttenberg
The Academy Award for Best Art Direction recognizes achievement in art direction on a film. From 1940 through 1956 and again from 1959-1966, it was divided into two categories Best Art Direction...
