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  1. Tyler Gillett

    Tyler Gillett

    American film director, cinematographer, writer and producer

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  1. Tyler Gillett (born March 6, 1982) is an American film director, cinematographer, actor, writer, and producer. A co-creator of the filmmaking collective Radio Silence, Gillett co-directed, with Matt Bettinelli-Olpin, the horror films Devil's Due (2014), Ready or Not (2019), Scream (2022), Scream VI (2023) and Abigail (2024).

  2. www.imdb.com › name › nm2419470Tyler Gillett - IMDb

    Tyler Gillett is a director born in 1982 in Arizona, USA. He has worked on various horror and comedy projects, such as V/H/S, Ready or Not, Scream and Funny in Love.

    • January 1, 1
    • 51 sec
    • Flagstaff, Arizona, USA
  3. www.imdb.com › title › tt11245972Scream (2022) - IMDb

    Jan 14, 2022 · Tyler Gillett co-directs the horror mystery thriller Scream (2022) with Matt Bettinelli-Olpin. The film is a sequel to the original Scream series and features the return of the original cast and new characters.

    • (159K)
    • Horror, Mystery, Thriller
    • Matt Bettinelli-Olpin, Tyler Gillett
    • 2022-01-14
  4. Mar 9, 2023 · March 9, 2023 9:00 am. Director Tyler Gillett on the set of Paramount Pictures and Spyglass Media Group's "Scream VI" Philippe Bossé. It just keeps on killing. After 27 years, six films, one...

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  6. Mar 2, 2022 · The duo behind Scream 2022 chat about their love for the franchise, their cast, and their red herrings. Tyler Gillett and Matt Bettinelli-Olpin are part of the Radio Silence collective and directed the latest sequel with Wes Craven's blessing.

    • Tatiana Hullender
  7. Tyler Gillett is an American film director, cinematographer, writer, and producer. He is known for co-directing the horror films \"Ready or Not\", \"Scream\" and \"Scream VI\" with Matt Bettinelli-Olpin.

  8. May 10, 2024 · Matt Bettinelli-Olpin and Tyler Gillett, who are a major part of the Radio Silence creative collective, have become two maestros of horror. With titles like V/H/S 94, Ready or Not, Phobias,...

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