120 battements par minute
2017
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French film director, editor and screenwriterMovies & TV Shows
Screenwriter, film editor, director. Years active. 1997–present. Robin Campillo ( French: [ʁɔbɛ̃ kɑ̃pijo]; born 16 August 1962) is a Moroccan-born French screenwriter, editor and film director. He is known for his work on films such as The Class (2008), Heading South (2005), the French zombie film They Came Back (2004), Eastern Boys ...
Apr 5, 2018 · Robin Campillo was a member of ACT UP, the Aids activist group, in the 80s and 90s. He tells the story of their resistance, hope, and love in his prize-winning film 120 BPM, based on his own experiences.
- Jack Shepherd
Director. IMDbPro Starmeter See rank. Robin Campillo was born on 16 August 1962 in Mohammédia, Morocco. He is a writer and editor, known for Eastern Boys (2013), 120 BPM (2017) and The Class (2008). More at IMDbPro. Contact info. Agent info. Resume. Born August 16, 1962. Add to list. Awards. 32 wins & 37 nominations. Photos 6. Known for:
- January 1, 1
- Writer, Editor, Director
- Mohammédia, Morocco
- Robin Campillo
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Oct 24, 2017 · The filmmaker recounts his experience as a member of ACT UP Paris, a group of activists fighting against AIDS, with humor, joy, and reverence. He creates a river novel of a story with a large cast of characters, showing the chaos, urgency, and contradictions of their lives.
- Jude Dry
Mar 9, 2024 · The French director of BPM recalls his childhood on a French military base in 1970s Madagascar, where he witnessed the colonial and postcolonial tensions. The film shifts from a nostalgic family drama to a revolutionary perspective of the Malagasy people, led by Miangaly.
- Guy Lodge
Dec 12, 2017 · The French filmmaker, who was a member of Act Up Paris, talks about his Oscar-nominated drama BPM (Beats Per Minute), which captures the early days of the epidemic in France. He reveals how his own experience of fear, grief and anger inspired his portrait of the grassroots group and its actions.
Oct 9, 2017 · The director of BPM (Beats Per Minute), a film about ACT-UP activists in France, talks about his visual style, his personal experience, and his approach to history. He also discusses the contrast between the realism and the dreaminess of the film, and the role of the club scenes.
